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PREVIOUSLY ON LOVE and HIP-HOP:

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ATLANTA...

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THIS DID SO WELL,

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THEY'RE OFFERING ME A PIECE

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IN THE MAGAZINE.

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HOW 'BOUT WE DO, LIKE,

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A SPREAD ON YOU IN THE MAG?

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THIS IS GREAT.

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NOW, I WANT YOU TO GET WITH

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IT, SO YOU CAN GET HIM TO GIVE

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YOU THAT ROCK, 'CAUSE I SEE

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YOU'RE STILL WALKING AROUND WITH

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THAT TATTOO.

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SHE HAS A SPREAD FOR

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HIP HOP WEEKLY MAGAZINE.

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SO I WANTED TO GO HELP HER OUT,

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PITCH SOME IDEAS.

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SHE WAS THROWING SIDE SHOTS,

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YOU KNOW?

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IT WOULDN'T MATTER HOW COOL

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SHE APPEARS TO BE WITH YOU.

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SHE WILL STAB YOU IN YOUR

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[bleep] BACK.

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I ALSO CAUGHT WIND OF A SPREAD

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OF JOSELINE IN A ISSUE OF

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HIP HOP WEEKLY,

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IT BLOWS MY MIND.

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IT'S ALL A LIE.

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WHEN'D Y'ALL GET MARRIED?

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WHAT? JULY?

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THE END OF JULY.

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THE END OF JULY?

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YOU HAD NO DATE?

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JULY 29TH, YEAH.

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WE GOT MARRIED JULY 29TH.

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IF THEY WERE MARRIED, THERE

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WOULD BE A MARRIAGE CERTIFICATE,

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WHICH THERE IS NOT.

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THEY SAID, "WE KNOW

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THAT THEY'RE NOT MARRIED."

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THEY AIN'T GOT [bleep] ELSE

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TO DO BUT WORRY ABOUT

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MY MARRIAGE.

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WE ALL GOOD.

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I'M JUST SAYING,

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CAN YOU NOT KISS HIM?

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HE'S A BABY.

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YOU'RE ALWAYS TRYING TO

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CONTROL ME.

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SAY, "HI, MOMMY."

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YOU WANT TO ACT LIKE YOU

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BRINGING SOMEBODY IN HERE TO

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HELP; LOOK LIKE SOMEBODY YOU

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WANT TO [bleep].

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IT HAS COME TO MY ATTENTION

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THAT SHE IS HAVING ANOTHER

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AFFAIR IN L.A.

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AN AFFAIR?

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I WOULD LOVE TO BE WRONG,

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BUT YOU DO KNOW HE HAS MORE THAN

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ONE EGG IN HIS BASKET.

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YOU TALKING ABOUT ANOTHER

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BITCH, LIKE HE GOT ANOTHER ONE?

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COULD YOU LOVE SOMEBODY

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LIKE ME?

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HONESTLY?

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I JUST WANT TO KNOW,

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DO YOU LOVE ME?

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I HAVEN'T GOTTEN THAT FAR

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YET.

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SHE'S PREGNANT, MAN.

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ARE Y'ALL PLANNIN'

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ON KEEPING IT?

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YEAH.

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I HAD A MISCARRIAGE TOO.

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OH, WOW.

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AND I AM SO SORRY THAT

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YOU HAD TO GO THROUGH THIS.

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I'M SORRY TO HEAR ABOUT

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EVERYTHING THAT HAPPENED.

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WHO THE [bleep] IS SHE TO BE

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KNOWING MY [bleep] BUSINESS?

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WELL, YOU TELL ME EVERYTHING,

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DON'T--

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HOLD UP, HOLD UP, HOLD UP.

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BITCH.

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OH!

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TALKIN' THAT [bleep], BITCH!

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TRY ME!

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TRY ME, BITCH! TRY ME!

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[hip-hop music]

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♪

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* YEAH

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* 'SUP ♪

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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* HUH

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♪ THERE AIN'T NOTHING LIKE ♪

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♪ HIP-HOP MUSIC

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♪ MUSIC

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* THIS IS THE LIFE

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♪ THIS IS THE LIFE

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NOW, I KNOW I'M CRAZY

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SOMETIMES, BUT EVERYBODY WANTS

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TO KNOW IF SLEAZE AND JOSELINE

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ARE REALLY MARRIED.

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SO I SET UP A MEETING WITH

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SLEAZO, MIMI, AND DAWN.

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I'M GETTING EVERYBODY IN ONE

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ROOM, AND WE GONNA DEAD

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ALL THESE ACCUSATIONS.

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BREZIO.

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SLEAZE.

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WHAT'S UP WITH IT, BRO?

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OH, MAN, CRAZY, MAN.

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I AGREED TO MEET WITH MIMI

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AND DAWN 'CAUSE OF MY MAN, ZINO.

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I AIN'T GOT NOTHING TO PROVE,

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BUT NOW THAT I'M A PARTNER

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IN THE HIP HOP WEEKLY,

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WHEN THEY COME FOR THE MAGAZINE,

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THEY COMING FOR ME,

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AND I'M ABOUT TO SHUT THEIR

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INSPECTOR GADGET ASSES DOWN.

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LOOK, JUST BETWEEN ME

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AND YOU,

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YOU AND JOSELINE ARE MARRIED,

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RIGHT?

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YES, ABSOLUTELY.

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THEN SAY NO MORE.

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WHAT THE--

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I WOULDN'T HAVE BROUGHT IT

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TO YOU IF IT WASN'T LIKE THAT.

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NO, THEN SAY NO MORE.

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THAT'S WHAT I TOLD THEM.

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I WOULDN'T PUT OUR MAGAZINE

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ON THE LINE.

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THAT'S WHAT I TOLD THEM THAT.

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I TOLD THEM THAT.

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OUR FRIENDSHIP,

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OUR BROTHERHOOD ON THE LINE.

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I KNOW THAT.

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NOT PRINTING NO RETRACTION.

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OKAY.

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YOU AND JOSELINE ARE MARRIED,

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AND THAT'S THAT.

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THEY HAVE NOTHING.

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IT'S TIME FOR BENZINO TO BE

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TRUE TO HIS WORD.

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I'M EXPECTING THAT RETRACTION,

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AND I WANT TO LOOK STEVIE RIGHT

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IN HIS EYE WHILE HE DANCES

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AROUND THE TRUTH.

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I APPRECIATE Y'ALL COMING.

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I THINK THE WHOLE PREMISE OF

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THIS MEETING IS FOR US,

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AS ADULTS, COME TO SOME TYPE

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OF CONCLUSION THAT'LL MAKE

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EVERYBODY HAPPY.

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I JUST WANT TO GET TO THE

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POINT.

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THE POINT WAS,

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THEY DON'T BELIEVE

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THE CREDIBILITY OF YOU AND

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JOSELINE'S MARRIAGE.

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IT'S A FRAUD.

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WHAT DATE DID HE GET MARRIED?

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YOU, I DON'T HAVE NOTHING TO

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PROVE TO YOU.

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THAT ISSUE CAME OUT WHEN?

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I DON'T REMEMBER.

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I THINK IT WAS AUGUST 1ST.

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AUGUST 1ST, WHICH WAS THE

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SAME DAY THAT HE SENT ME

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A TEXT MESSAGE ABOUT THE STUNT

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HE WANTED TO PULL.

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I DIDN'T SAY ANY OF THAT.

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OH, YOU DIDN'T?

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NO.

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YEAH, WELL, THAT, I MEAN,

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YOU KNOW, THAT--

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BENZINO, YOU HAVE A HOUSEHOLD

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NAME TO PROTECT,

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AND FRIENDSHIP--

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I AM A HOUSEHOLD NAME.

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I DOUBT IT.

194
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AND IT'S PART OF MY MAGAZINE.

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CAN WE PLEASE, HONESTLY...

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I'M WONDERING WHY THIS IS SO

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IMPORTANT TO MIMI.

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IF I AIN'T KNOW NO BETTER,

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I THINK SHE WAS STILL FEELING

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THE GUY.

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WHAT'S THE MATTER, BABY?

202
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YOU MAD I MARRIED JOSELINE

203
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INSTEAD OF YOU?

204
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SO WHAT ARE WE HERE FOR?

205
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YOU AND YOUR FAKE MARRIAGE.

206
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CLEARLY, I HAVE NO FEELINGS

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FOR STEVIE J.

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ALL I WANT IS FOR BOTH OF THEM

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TO BE EXPOSED FOR THE FRAUDS

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THAT THEY ARE.

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HEY, THAT'S WHAT YOU FEEL,

212
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THAT'S YOU.

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WELL, WHERE'S THE

214
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CERTIFICATE?

215
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THEY WANT TO SEE THE LICENSE.

216
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YOU WANT TO SEE THE LICENSE?

217
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FIRST OF ALL, BENZINO,

218
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ANY STATE HAS PUBLIC RECORDS--

219
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THAT'S THROUGH GOVERNMENT.

220
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IT'S NOT THROUGH--

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WELL, HE HAS--HE MUST HAVE

222
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SOMETHING.

223
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YOU HAVE TO BE MARRIED

224
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THROUGH THE GOVERNMENT.

225
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I'M SOVEREIGN.

226
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HUH?

227
00:04:56,630 --> 00:04:57,331
SOVEREIGN.

228
00:04:57,331 --> 00:04:58,198
SOVEREIGN?

229
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I'M A SOVEREIGN INDIVIDUAL.

230
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WHICH MEANS WHAT?

231
00:05:01,101 --> 00:05:02,202
YOU DON'T HAVE TO GO THROUGH

232
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WHAT EVERYONE ELSE GOES THROUGH?

233
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YEAH.

234
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I DON'T NEED ANYTHING FROM THESE

235
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LADIES.

236
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I'M GOOD.

237
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I'M MY OWN GOVERNMENT.

238
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I MAKE MY OWN LAWS.

239
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IN STEVIE J. WE TRUST.

240
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SLEAZE SAYS HE'S MARRIED.

241
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Y'ALL SAY HE'S NOT.

242
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SO WE REACHED THAT POINT,

243
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WHAT ELSE CAN WE DO?

244
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SO WE'RE JUST NOT GONNA

245
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THINK ABOUT RETRACTING A...

246
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IF WE LOSE READERS BEHIND

247
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THIS [bleep], WELL, THEN,

248
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YOU KNOW WHAT I'M SAYING?

249
00:05:22,823 --> 00:05:23,557
THEN THAT'S THE BUSINESS.

250
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SO YOU WANT TO GO AROUND

251
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PRINTING FAKE--

252
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WHAT? HE SAYS HE'S MARRIED.

253
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WHAT THE [bleep] CAN I SAY?

254
00:05:28,629 --> 00:05:29,329
HE SAYS A WHOLE LOT OF

255
00:05:29,329 --> 00:05:30,764
[bleep] THAT'S BULL[bleep].

256
00:05:30,764 --> 00:05:31,932
IT'S TIME TO PUT A SEAL ON

257
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THIS NONSENSE RIGHT HERE.

258
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I'M THE TRUTH, A-1, THE MAN.

259
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I'M GONNA ASK YOU ONE MORE

260
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QUESTION.

261
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WHEN DID YOU GET MARRIED?

262
00:05:44,912 --> 00:05:46,514
JULY 29TH.

263
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JUNE 29TH.

264
00:05:48,982 --> 00:05:49,817
JUNE OR JULY?

265
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IN JUNE.

266
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WHO DOESN'T KNOW THEIR OWN

267
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WEDDING DATE?

268
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JUNE 29TH? JULY 29TH?

269
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FEBRUARY 29TH?

270
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THAT'S ALL I NEED TO KNOW,

271
00:05:57,157 --> 00:05:58,526
THAT THIS MARRIAGE IS A COMPLETE

272
00:05:58,526 --> 00:06:00,060
FRAUD.

273
00:06:00,060 --> 00:06:00,861
I THINK WE NEED TO LEAVE.

274
00:06:00,861 --> 00:06:01,629
YEAH, THIS IS...

275
00:06:01,629 --> 00:06:02,430
THIS IS REALLY NOT GOOD FOR

276
00:06:02,430 --> 00:06:03,096
YOUR HEALTH.

277
00:06:03,096 --> 00:06:03,764
YEAH.

278
00:06:03,764 --> 00:06:04,432
OH, GOSH.

279
00:06:04,432 --> 00:06:05,399
BYE, LADIES.

280
00:06:05,399 --> 00:06:07,167
THANKS FOR THE DRINK.

281
00:06:07,167 --> 00:06:09,169
OH, GOD.

282
00:06:19,447 --> 00:06:22,015
I MET ONE OF SCRAPPY'S "EX"

283
00:06:22,015 --> 00:06:23,316
AT SCRAPPY'S 30TH BIRTHDAY

284
00:06:23,316 --> 00:06:24,017
PARTY,

285
00:06:24,017 --> 00:06:26,386
BUT THE BAMBI, SHE WENT COMPTON

286
00:06:26,386 --> 00:06:27,320
ON THAT BITCH.

287
00:06:27,320 --> 00:06:30,023
SO WHILE THE PRINCE IS ENJOYING

288
00:06:30,023 --> 00:06:31,324
A LITTLE BIT OF THE SAND

289
00:06:31,324 --> 00:06:32,225
IN SOUTH BEACH,

290
00:06:32,225 --> 00:06:33,861
I CALLED MISS PINKETT UP

291
00:06:33,861 --> 00:06:35,796
SO I CAN SEE WHAT THE HELL

292
00:06:35,796 --> 00:06:36,897
THIS BITCH IS THINKING.

293
00:06:36,897 --> 00:06:38,265
HEY.

294
00:06:38,265 --> 00:06:38,932
HI.

295
00:06:38,932 --> 00:06:39,867
HOW ARE YOU?

296
00:06:39,867 --> 00:06:40,768
YOU LOOK SO PRETTY.

297
00:06:40,768 --> 00:06:41,635
SO DO YOU.

298
00:06:41,635 --> 00:06:43,537
KEEPING ORDER IN THE CASTLE

299
00:06:43,537 --> 00:06:45,806
HAS BECOME A FULL-TIME JOB.

300
00:06:45,806 --> 00:06:47,908
I KNOW THE OTHER NIGHT WAS

301
00:06:47,908 --> 00:06:48,776
MAYHEM.

302
00:06:48,776 --> 00:06:50,010
BUT I WANT YOUR PART ON IT,

303
00:06:50,010 --> 00:06:51,011
BECAUSE

304
00:06:51,011 --> 00:06:52,713
EVERYBODY'S RUNNING AMOK.

305
00:06:52,713 --> 00:06:53,747
AIN'T NOBODY GONNA RUN THIS

306
00:06:53,747 --> 00:06:54,848
PALACE BUT ME.

307
00:06:54,848 --> 00:06:56,283
BUT LET ME TELL YOU WHERE YOU

308
00:06:56,283 --> 00:06:57,317
[bleep] UP AT.

309
00:06:57,317 --> 00:06:58,852
YOU SAID, "I'M SORRY FOR YOUR

310
00:06:58,852 --> 00:06:59,520
LOSS."

311
00:06:59,520 --> 00:07:00,387
LET ME JUST BRING YOU THERE,

312
00:07:00,387 --> 00:07:01,522
AND THEN I'M GONNA LET YOU TALK.

313
00:07:01,522 --> 00:07:02,189
OKAY.

314
00:07:02,189 --> 00:07:03,423
WHEN A WOMAN HAS LOST A CHILD

315
00:07:03,423 --> 00:07:04,825
THAT THEY "SO DEARLY" WANTED,

316
00:07:04,825 --> 00:07:05,759
AND SCRAPPY OPENED

317
00:07:05,759 --> 00:07:06,694
HIS BIG MOUTH...

318
00:07:06,694 --> 00:07:07,828
RIGHT.

319
00:07:07,828 --> 00:07:09,196
SO IT'S LIKE, SHE WAS, LIKE,

320
00:07:09,196 --> 00:07:11,131
"OKAY, DON'T NOBODY CARE ABOUT

321
00:07:11,131 --> 00:07:11,965
MY WOMB."

322
00:07:11,965 --> 00:07:12,766
YOU KNOW WHAT I'M SAYING?

323
00:07:12,766 --> 00:07:14,367
YOU DONE TOLD A FEMALE ABOUT OUR

324
00:07:14,367 --> 00:07:15,569
BUSINESS, AND I WOULD HAVE FELT

325
00:07:15,569 --> 00:07:16,336
THE SAME WAY.

326
00:07:16,336 --> 00:07:17,070
SO TELL ME ABOUT

327
00:07:17,070 --> 00:07:17,771
YOUR FRIENDSHIP,

328
00:07:17,771 --> 00:07:19,473
AND THEN WE'LL GET UP INTO WHAT

329
00:07:19,473 --> 00:07:20,207
HAPPENED THE OTHER NIGHT.

330
00:07:20,207 --> 00:07:21,341
OKAY.

331
00:07:21,341 --> 00:07:22,510
FIRST OF ALL, I WANT TO SAY

332
00:07:22,510 --> 00:07:24,277
I REALLY RESPECT YOUR SON,

333
00:07:24,277 --> 00:07:25,713
AND I SEE HIM REALLY MATURING

334
00:07:25,713 --> 00:07:27,414
INTO THIS GREAT MAN, AND I SEE

335
00:07:27,414 --> 00:07:30,083
HIM GOING HARD FOR HIS DAUGHTER.

336
00:07:30,083 --> 00:07:31,184
AND HE'S DIFFERENT.

337
00:07:31,184 --> 00:07:31,985
HE'S HUMBLE.

338
00:07:31,985 --> 00:07:33,521
HE'S REALLY A FAMILY MAN.

339
00:07:33,521 --> 00:07:34,387
HE LOVES AND RESPECTS YOU.

340
00:07:34,387 --> 00:07:35,088
MM-HMM.

341
00:07:35,088 --> 00:07:36,323
I JUST WANT THE BEST

342
00:07:36,323 --> 00:07:37,157
FOR MY FRIEND.

343
00:07:37,157 --> 00:07:38,792
LIKE, I WANT TO SEE HIM BE THE

344
00:07:38,792 --> 00:07:40,561
MAN THAT HE'S BOUND TO BE,

345
00:07:40,561 --> 00:07:42,996
BUT A KING SHOULD NOT BE WALKING

346
00:07:42,996 --> 00:07:43,897
WITH A PEASANT.

347
00:07:43,897 --> 00:07:46,333
YOUR PRINCE HAS WIFED SOMEBODY

348
00:07:46,333 --> 00:07:47,034
HE HAS NEVER GOT

349
00:07:47,034 --> 00:07:48,135
A [bleep]FAX ON.

350
00:07:48,135 --> 00:07:48,802
WOW.

351
00:07:48,802 --> 00:07:49,503
LIKE, WHEN YOU BUY A CAR

352
00:07:49,503 --> 00:07:50,237
AND YOU WANT THE CARFAX...

353
00:07:50,237 --> 00:07:50,904
YEAH.

354
00:07:50,904 --> 00:07:51,939
HE AIN'T GOT THE [bleep]FAX

355
00:07:51,939 --> 00:07:53,373
ON HER, AND TRUST ME WHEN I TELL

356
00:07:53,373 --> 00:07:55,943
YOU, IT IS EXTENSIVE.

357
00:07:55,943 --> 00:07:57,210
SHE WAS JUST IN A HOT TUB

358
00:07:57,210 --> 00:07:58,211
WITH BENZINO.

359
00:07:58,211 --> 00:07:59,446
ALL THE THINGS I WAS HEARING

360
00:07:59,446 --> 00:08:00,848
ABOUT HER WERE ADDING UP TO

361
00:08:00,848 --> 00:08:01,682
NEGATIVE.

362
00:08:01,682 --> 00:08:03,216
THE OTHER NIGHT PROVED EVERY

363
00:08:03,216 --> 00:08:04,451
FRICKING THING THAT I'D BEEN

364
00:08:04,451 --> 00:08:05,753
HEARING ABOUT THIS RAT

365
00:08:05,753 --> 00:08:06,520
FROM COMPTON.

366
00:08:06,520 --> 00:08:08,055
WELL, YOU MAY BE INTERESTED

367
00:08:08,055 --> 00:08:10,591
TO KNOW THAT ME AND BAMBI HAVE

368
00:08:10,591 --> 00:08:11,825
HAD ISSUES,

369
00:08:11,825 --> 00:08:13,894
AND WHEN I FIRST CAME ACROSS

370
00:08:13,894 --> 00:08:16,129
THE BAMBI, I CAUGHT MY SON,

371
00:08:16,129 --> 00:08:17,665
AND I TOLD HIM THERE WOULD BE

372
00:08:17,665 --> 00:08:20,200
NO HOS IN THE PALACE.

373
00:08:20,200 --> 00:08:22,770
SO, LIKE, I'M NOT AT A EVEN KEEL

374
00:08:22,770 --> 00:08:23,503
RIGHT NOW,

375
00:08:23,503 --> 00:08:24,738
AND WHEN THE QUEEN GETS THROWN

376
00:08:24,738 --> 00:08:26,173
OUT THE PALACE, OH, WELL, HELL,

377
00:08:26,173 --> 00:08:27,007
WORLD WAR III.

378
00:08:27,007 --> 00:08:28,075
[laughs]

379
00:08:28,075 --> 00:08:29,242
BEFORE I MET THE BAMBI,

380
00:08:29,242 --> 00:08:31,579
I HEARD ALL THESE RUMORS AROUND

381
00:08:31,579 --> 00:08:33,213
ABOUT HER WHORING AROUND

382
00:08:33,213 --> 00:08:34,882
IN CALIFORN-I-A.

383
00:08:34,882 --> 00:08:36,216
WHEN SHE HAD THE MISCARRIAGE,

384
00:08:36,216 --> 00:08:37,317
I TRIED TO GIVE THE GIRL

385
00:08:37,317 --> 00:08:38,385
THE BENEFIT OF THE DOUBT,

386
00:08:38,385 --> 00:08:39,319
BUT APPARENTLY,

387
00:08:39,319 --> 00:08:40,721
SOME THINGS MUST BE TRUE.

388
00:08:40,721 --> 00:08:41,755
I CAN ONLY TELL YOU

389
00:08:41,755 --> 00:08:42,422
THE TRUTH.

390
00:08:42,422 --> 00:08:43,490
WHEN I FOUND OUT ABOUT THEM

391
00:08:43,490 --> 00:08:44,692
BEING A ITEM, I WAS VERY

392
00:08:44,692 --> 00:08:45,626
SUPPORTIVE OF THAT...

393
00:08:45,626 --> 00:08:46,293
RIGHT.

394
00:08:46,293 --> 00:08:47,494
BECAUSE THERE'S BEEN TIMES

395
00:08:47,494 --> 00:08:49,062
WHERE HE SEND ME TEXT MESSAGES

396
00:08:49,062 --> 00:08:50,097
THAT WEREN'T NECESSARILY

397
00:08:50,097 --> 00:08:52,165
APPROPRIATE, AND I'VE SAID,

398
00:08:52,165 --> 00:08:54,001
"BOO, WRONG PERSON."

399
00:08:54,001 --> 00:08:54,668
MM-HMM.

400
00:08:54,668 --> 00:08:55,502
EVEN WHEN HE CALLS ME

401
00:08:55,502 --> 00:08:56,169
AND SAYS,

402
00:08:56,169 --> 00:08:58,105
"I NEED A NEW BITCH."

403
00:08:58,105 --> 00:08:58,906
YOU KNOW, I'M LIKE,

404
00:08:58,906 --> 00:09:00,073
"WHOA, OKAY, WELL, LET'S JUST"--

405
00:09:00,073 --> 00:09:00,908
'CAUSE THAT'S WHAT THE

406
00:09:00,908 --> 00:09:01,575
MESSAGE SAY?

407
00:09:01,575 --> 00:09:02,375
WELL, LET ME TELL YOU WHAT

408
00:09:02,375 --> 00:09:03,677
THESE MESSAGES SAY.

409
00:09:03,677 --> 00:09:04,945
THE FIRST ONE IS, "I WANT TO

410
00:09:04,945 --> 00:09:05,913
SEX YOU DOWN."

411
00:09:05,913 --> 00:09:07,815
MIND YOU, THIS CAME AFTER

412
00:09:07,815 --> 00:09:09,049
HE CALLED ME AND SAID,

413
00:09:09,049 --> 00:09:10,183
"I NEED A NEW BITCH."

414
00:09:10,183 --> 00:09:10,951
AND THEN I SAID, "WELL,

415
00:09:10,951 --> 00:09:12,219
YOU SHOULD BE SEXING DOWN

416
00:09:12,219 --> 00:09:13,386
THE PERSON THAT YOU'RE IN LOVE

417
00:09:13,386 --> 00:09:14,221
WITH."

418
00:09:14,221 --> 00:09:14,888
WOW.

419
00:09:14,888 --> 00:09:15,555
YOU KNOW?

420
00:09:15,555 --> 00:09:16,223
WELL, NOW,

421
00:09:16,223 --> 00:09:17,725
MY SON HAS DEFINITELY BEEN

422
00:09:17,725 --> 00:09:19,359
SCRAMBLING HIS EGGS.

423
00:09:19,359 --> 00:09:21,494
I DON'T KNOW IF ERICA PINKETT

424
00:09:21,494 --> 00:09:22,763
IS TELLING ME THE TRUTH,

425
00:09:22,763 --> 00:09:24,064
BUT THE ONLY THING

426
00:09:24,064 --> 00:09:25,198
THAT CAN RESOLVE THIS

427
00:09:25,198 --> 00:09:27,400
IS A OLD-FASHIONED SIT-DOWN.

428
00:09:27,400 --> 00:09:29,603
YOU KNOW, I'M DOWN WITH WHOEVER

429
00:09:29,603 --> 00:09:30,738
MY SON'S DOWN WITH, BUT

430
00:09:30,738 --> 00:09:32,105
I DIDN'T KNOW ABOUT THE THINGS

431
00:09:32,105 --> 00:09:33,941
THAT YOU'VE TALKED TO ME ABOUT.

432
00:09:33,941 --> 00:09:36,143
SO I'D LIKE FOR US TO HAVE

433
00:09:36,143 --> 00:09:37,210
A MEET-AND-GREET,

434
00:09:37,210 --> 00:09:38,145
THE PROPER WAY, IN FRONT OF

435
00:09:38,145 --> 00:09:40,781
MY FACE, AND LET'S BE LADIES,

436
00:09:40,781 --> 00:09:41,915
AND LET'S TALK.

437
00:09:41,915 --> 00:09:43,283
AND ACTUALLY, YOU KNOW,

438
00:09:43,283 --> 00:09:43,984
IF SHE--

439
00:09:43,984 --> 00:09:44,785
WOULD YOU MIND DOING THAT,

440
00:09:44,785 --> 00:09:45,452
THOUGH?

441
00:09:45,452 --> 00:09:46,286
I WOULD DEFINITELY DO THAT,

442
00:09:46,286 --> 00:09:47,354
AND IF SHE NEEDS SOME ADVICE

443
00:09:47,354 --> 00:09:48,088
ON HOW TO BE A LADY,

444
00:09:48,088 --> 00:09:49,422
I'LL HELP HER WITH THAT TOO.

445
00:09:49,422 --> 00:09:50,824
SO EVEN SWAP WON'T BE

446
00:09:50,824 --> 00:09:52,826
A SWINDLE?

447
00:10:00,533 --> 00:10:02,235
GOOD, GOOD, GOOD, GOOD.

448
00:10:02,235 --> 00:10:03,203
TODAY, KIRK AND I ARE

449
00:10:03,203 --> 00:10:03,871
SHOOTING THE COVER OF

450
00:10:03,871 --> 00:10:05,272
SISTER 2 SISTER MAGAZINE

451
00:10:05,272 --> 00:10:07,407
WITH THE BOYS, KY AND KARTER,

452
00:10:07,407 --> 00:10:08,608
AND THE BEST PART ABOUT IT IS,

453
00:10:08,608 --> 00:10:10,711
THEY WANT MY MOM IN THE SHOOT.

454
00:10:10,711 --> 00:10:12,445
MY BABY, OH.

455
00:10:12,445 --> 00:10:13,113
BEAUTIFUL.

456
00:10:13,113 --> 00:10:14,381
AND KIRK, OOH.

457
00:10:14,381 --> 00:10:15,315
HE HAVE ENOUGH NERVE TO BE

458
00:10:15,315 --> 00:10:16,083
LOOKING GOOD TOO.

459
00:10:16,083 --> 00:10:17,084
REALLY?

460
00:10:17,084 --> 00:10:18,585
LET'S GET IT FINISHED.

461
00:10:18,585 --> 00:10:20,120
THIS IS THE FIRST TIME KIRK AND

462
00:10:20,120 --> 00:10:21,621
MY MOM HAVE BEEN IN THE SAME

463
00:10:21,621 --> 00:10:23,724
ROOM TOGETHER SINCE THEY WERE

464
00:10:23,724 --> 00:10:24,624
ARGUING ABOUT KISSING

465
00:10:24,624 --> 00:10:25,759
BABY KARTER IN THE MOUTH.

466
00:10:25,759 --> 00:10:27,027
I'M JUST HOPING THE SHOOT GOES

467
00:10:27,027 --> 00:10:27,961
WELL, THEY CAN BEHAVE

468
00:10:27,961 --> 00:10:29,562
THEMSELVES, AND REPRESENT OUR

469
00:10:29,562 --> 00:10:31,198
FAMILY IN A GOOD LIGHT.

470
00:10:31,198 --> 00:10:32,165
ALL RIGHT, WE'RE ABOUT READY

471
00:10:32,165 --> 00:10:33,300
TO GO TO THE NEXT LOOK.

472
00:10:33,300 --> 00:10:34,668
OH, HOW BEAUTIFUL

473
00:10:34,668 --> 00:10:35,568
YOU GUYS LOOK.

474
00:10:35,568 --> 00:10:36,236
THANK YOU.

475
00:10:36,236 --> 00:10:37,337
HE SMILE EVERY TIME

476
00:10:37,337 --> 00:10:38,071
HE SEE ME.

477
00:10:38,071 --> 00:10:38,739
OKAY.

478
00:10:38,739 --> 00:10:40,173
AND YOU SITTING UP,

479
00:10:40,173 --> 00:10:41,174
ACTING STUPID

480
00:10:41,174 --> 00:10:42,409
WITH YOUR RATCHET ASS.

481
00:10:42,409 --> 00:10:43,210
SEE?

482
00:10:43,210 --> 00:10:45,145
THIS IS THE EXACT REASON

483
00:10:45,145 --> 00:10:46,279
WHY I DIDN'T WANT THIS WOMAN

484
00:10:46,279 --> 00:10:47,280
WATCHING MY KIDS.

485
00:10:47,280 --> 00:10:48,982
I'M AT A FAMILY PHOTO SHOOT.

486
00:10:48,982 --> 00:10:49,950
YOU'RE CALLING ME NAMES IN FRONT

487
00:10:49,950 --> 00:10:50,984
OF MY KIDS.

488
00:10:50,984 --> 00:10:52,052
RASHEEDA DIDN'T LIKE

489
00:10:52,052 --> 00:10:53,921
MY SUGGESTION FOR ANOTHER NANNY,

490
00:10:53,921 --> 00:10:55,455
BUT ANYBODY WOULD BE BETTER

491
00:10:55,455 --> 00:10:56,724
THAN SHIRLEEN.

492
00:10:56,724 --> 00:10:58,025
WHY IS SHE ON THE PHOTO SHOOT?

493
00:10:58,025 --> 00:10:59,226
IT'S A FAMILY PHOTO SHOOT.

494
00:10:59,226 --> 00:11:00,427
WHAT ARE YOU TALKING ABOUT?

495
00:11:00,427 --> 00:11:03,463
THIS IS EXACTLY WHY WE NEED

496
00:11:03,463 --> 00:11:05,032
JASMINE.

497
00:11:05,032 --> 00:11:05,699
REALLY?

498
00:11:05,699 --> 00:11:06,633
YOU NEED HELP, RIGHT?

499
00:11:06,633 --> 00:11:07,534
JUST BECAUSE YOU FEEL LIKE

500
00:11:07,534 --> 00:11:08,568
I NEED SOMEBODY OR WE NEED

501
00:11:08,568 --> 00:11:10,137
SOMEBODY DON'T MEAN WE GOING

502
00:11:10,137 --> 00:11:11,171
AND PICKING UP MOTHER[bleep]

503
00:11:11,171 --> 00:11:12,172
AT THE BAR.

504
00:11:12,172 --> 00:11:13,240
SO KIRK IS STILL PUSHING THIS

505
00:11:13,240 --> 00:11:14,507
JASMINE SITUATION.

506
00:11:14,507 --> 00:11:15,776
WHAT THE [bleep] IS WRONG

507
00:11:15,776 --> 00:11:16,476
WITH HIM?

508
00:11:16,476 --> 00:11:17,344
I WENT AND HAD A LITTLE

509
00:11:17,344 --> 00:11:18,211
CONVERSATION WITH YOUR LITTLE

510
00:11:18,211 --> 00:11:18,946
FRIEND.

511
00:11:18,946 --> 00:11:20,280
YOU JUST PUTTING OUT THERE,

512
00:11:20,280 --> 00:11:22,916
"OH, ME AND RASHEEDA SEPARATED."

513
00:11:22,916 --> 00:11:24,217
WHERE'S YOUR RING?

514
00:11:24,217 --> 00:11:26,319
MM-MM.

515
00:11:26,319 --> 00:11:27,154
MY ANSWER WHEN THEY ASKED ME

516
00:11:27,154 --> 00:11:28,488
WHERE WAS MINE WAS WHATEVER CAME

517
00:11:28,488 --> 00:11:29,222
OFF MY HEAD.

518
00:11:29,222 --> 00:11:30,190
NOW, WHY THE HELL SHOULD I

519
00:11:30,190 --> 00:11:31,391
WEAR MY RING WHEN THIS FOOL RUN

520
00:11:31,391 --> 00:11:32,926
AROUND TOWN TELLING EVERYBODY

521
00:11:32,926 --> 00:11:33,794
WE SEPARATED?

522
00:11:33,794 --> 00:11:34,728
I'M TRYING TO FIGURE OUT

523
00:11:34,728 --> 00:11:35,729
WHERE WE'RE GOING AND WHAT WE

524
00:11:35,729 --> 00:11:36,964
DOING WITH THIS RELATIONSHIP.

525
00:11:36,964 --> 00:11:38,298
WEARING MY RING FOR WHAT?

526
00:11:38,298 --> 00:11:39,800
I MEAN, WE--YOU WERE HARDLY EVEN

527
00:11:39,800 --> 00:11:40,868
AROUND ME...

528
00:11:40,868 --> 00:11:41,534
OKAY.

529
00:11:41,534 --> 00:11:42,936
LET ALONE BE INTIMATE.

530
00:11:42,936 --> 00:11:43,871
WE AT A SISTER 2 SISTER

531
00:11:43,871 --> 00:11:46,006
PHOTO SHOOT, A COVER SHOT,

532
00:11:46,006 --> 00:11:47,540
PLAYING LIKE WE THE HUXTABLES,

533
00:11:47,540 --> 00:11:49,109
AND OUR [bleep] JUST AS RATCHET

534
00:11:49,109 --> 00:11:50,143
AS IT IS.

535
00:11:50,143 --> 00:11:51,478
WHAT YOU NEED TO DO IS STAY OUT

536
00:11:51,478 --> 00:11:52,445
THE SPORTS BAR

537
00:11:52,445 --> 00:11:53,513
AND STAY FROM MAKING NEW, LITTLE

538
00:11:53,513 --> 00:11:54,614
GIRLFRIENDS AND [bleep]

539
00:11:54,614 --> 00:11:55,715
BEFORE I HAVE TO BEAT UP SOME

540
00:11:55,715 --> 00:11:56,817
MINI-HOS.

541
00:11:56,817 --> 00:11:57,650
OKAY, AND I WOULD ADVISE YOU

542
00:11:57,650 --> 00:11:58,418
TO BE A GIRLFRIEND AND A WIFE.

543
00:11:58,418 --> 00:11:59,486
HOW 'BOUT THAT?

544
00:11:59,486 --> 00:12:01,621
HERE WE ARE, TAKING PICTURES,

545
00:12:01,621 --> 00:12:03,156
FLEXING LIKE WE THE HUXTABLES,

546
00:12:03,156 --> 00:12:04,524
LIKE EVERYTHING IS SO GRAVY,

547
00:12:04,524 --> 00:12:05,759
AND IT'S SO NOT.

548
00:12:05,759 --> 00:12:06,960
KIRK AND MY MAMA CANNOT

549
00:12:06,960 --> 00:12:08,228
GET ALONG FOR [bleep].

550
00:12:08,228 --> 00:12:09,763
HE'S BEING DISRESPECTFUL

551
00:12:09,763 --> 00:12:10,697
TO BOTH OF US

552
00:12:10,697 --> 00:12:11,664
AND DOING IT RIGHT IN FRONT

553
00:12:11,664 --> 00:12:12,699
OF THE BOYS.

554
00:12:12,699 --> 00:12:14,267
IF THIS [bleep] AIN'T CRAZY,

555
00:12:14,267 --> 00:12:15,502
I DON'T KNOW WHAT IS.

556
00:12:15,502 --> 00:12:16,436
IF YOU WOULD COME IN

557
00:12:16,436 --> 00:12:17,304
JUST A LITTLE BIT CLOSER.

558
00:12:17,304 --> 00:12:19,239
I MEAN...

559
00:12:19,239 --> 00:12:20,573
DON'T BE LOOKING CRAZY.

560
00:12:20,573 --> 00:12:21,441
IT AIN'T LIKE YOU STANDING

561
00:12:21,441 --> 00:12:22,675
NEXT TO ME, KIRK.

562
00:12:22,675 --> 00:12:24,711
CAN YOU DO ANYTHING RIGHT?

563
00:12:24,711 --> 00:12:26,113
KIRK, CAN I HAVE YOU LOOKING

564
00:12:26,113 --> 00:12:27,747
AT ME A LITTLE BIT MORE?

565
00:12:27,747 --> 00:12:28,982
YOU MEAN TO TELL ME YOU CAN'T

566
00:12:28,982 --> 00:12:29,783
STAND UP IN HERE AND DO

567
00:12:29,783 --> 00:12:31,618
NO FAMILY THING?

568
00:12:31,618 --> 00:12:33,553
EVERYBODY'S COOPERATING BUT YOU.

569
00:12:33,553 --> 00:12:34,687
OKAY, IS EVERYBODY SMILING?

570
00:12:34,687 --> 00:12:35,722
WE JUST GOT TO CAPTURE THIS ONE

571
00:12:35,722 --> 00:12:37,724
MOMENT.

572
00:12:37,724 --> 00:12:39,092
YOU HAVE TO UNDERSTAND

573
00:12:39,092 --> 00:12:40,527
BAMBI'S POSITION,

574
00:12:40,527 --> 00:12:41,361
AND BAMBI,

575
00:12:41,361 --> 00:12:42,729
YOU HAVE TO UNDERSTAND

576
00:12:42,729 --> 00:12:43,931
ERICA'S POSITION.

577
00:12:43,931 --> 00:12:46,333
SHE DON'T HAVE A POSITION.

578
00:12:46,333 --> 00:12:48,501
I DON'T NEED NO STYLIST.

579
00:12:48,501 --> 00:12:49,402
IF I WANT TO BE FRIENDS WITH

580
00:12:49,402 --> 00:12:50,270
THE BITCH, I'LL BE FRIENDS WITH

581
00:12:50,270 --> 00:12:51,004
THE BITCH, BUT I DON'T NEED

582
00:12:51,004 --> 00:12:51,671
NO STYLIST.

583
00:12:51,671 --> 00:12:52,405
GET WITH THE WINNING TEAM,

584
00:12:52,405 --> 00:12:53,073
HO.

585
00:12:53,073 --> 00:12:53,740
WHAT WINNING TEAM?

586
00:12:53,740 --> 00:12:54,574
YOU'VE GONE FROM A STRIPPER

587
00:12:54,574 --> 00:12:55,809
TO A PROSTITUTE TO A HO.

588
00:12:55,809 --> 00:12:57,811
OH, BITCH, PLEASE.

589
00:13:06,086 --> 00:13:07,520
JOSELINE AND I GOT THESE OLD

590
00:13:07,520 --> 00:13:09,456
HAGS ACCUSING US OF NOT BEING

591
00:13:09,456 --> 00:13:10,423
MARRIED,

592
00:13:10,423 --> 00:13:12,159
BUT WHO'S WORRIED ABOUT THEM?

593
00:13:12,159 --> 00:13:13,326
THEY'RE JUST HATING 'CAUSE WE'RE

594
00:13:13,326 --> 00:13:14,427
IN LOVE AND THE JORDANS

595
00:13:14,427 --> 00:13:16,429
ARE ON TOP OF THE WORLD.

596
00:13:20,167 --> 00:13:20,834
[laughs]

597
00:13:20,834 --> 00:13:22,402
STOP, STEVIE.

598
00:13:22,402 --> 00:13:23,770
FOREVER?

599
00:13:23,770 --> 00:13:25,205
FOREVER.

600
00:13:25,205 --> 00:13:26,506
SEE IF YOU SAY THAT TONIGHT.

601
00:13:26,506 --> 00:13:27,807
I BET THAT ONE OF THEM HOS

602
00:13:27,807 --> 00:13:28,675
GO DOWN.

603
00:13:28,675 --> 00:13:29,843
IT'S ALL GOOD.

604
00:13:29,843 --> 00:13:31,945
I LOVE YOU, BABY.

605
00:13:31,945 --> 00:13:33,080
I'M GLAD THAT WE FINALLY GOT

606
00:13:33,080 --> 00:13:33,847
OUT OF THE HOUSE AND GOT SOME

607
00:13:33,847 --> 00:13:34,747
FOOD, 'CAUSE I BE WORKING

608
00:13:34,747 --> 00:13:35,415
SO HARD.

609
00:13:35,415 --> 00:13:36,516
WHAT YOU GETTING READY FOR?

610
00:13:36,516 --> 00:13:37,384
YOU KNOW, THE STUFF THAT I'M

611
00:13:37,384 --> 00:13:39,652
GONNA USE FOR THE SPREAD THAT

612
00:13:39,652 --> 00:13:40,820
YOU GAVE ME FOR THE MAGAZINE.

613
00:13:40,820 --> 00:13:42,089
THE THINGS THAT...

614
00:13:42,089 --> 00:13:43,256
THINGS THAT YOU WERE GONNA DO

615
00:13:43,256 --> 00:13:45,192
TO THE TABLE FOR ME.

616
00:13:45,192 --> 00:13:46,259
OH, STEVIE, SHUT THE HELL UP.

617
00:13:46,259 --> 00:13:47,460
NO, THIS IS SERIOUS.

618
00:13:47,460 --> 00:13:48,828
THIS IS SERIOUS [bleep].

619
00:13:48,828 --> 00:13:49,496
OKAY.

620
00:13:49,496 --> 00:13:50,463
STOP YOUR SHENANIGANS.

621
00:13:50,463 --> 00:13:51,231
A'IGHT.

622
00:13:51,231 --> 00:13:52,799
I'M GLAD THAT STEVIE WANT TO

623
00:13:52,799 --> 00:13:54,367
SEX ME DOWN IN THIS RESTAURANT,

624
00:13:54,367 --> 00:13:56,369
BUT IT'S TIME TO TALK BUSINESS,

625
00:13:56,369 --> 00:13:57,570
AND HE'S THE ONE THAT BROUGHT ME

626
00:13:57,570 --> 00:13:58,771
THIS OPPORTUNITY WITH THE

627
00:13:58,771 --> 00:14:00,040
HIP HOP WEEKLY MAGAZINE,

628
00:14:00,040 --> 00:14:01,508
SO I NEED HIM TO START THINKING

629
00:14:01,508 --> 00:14:02,509
WITH HIS BRAIN,

630
00:14:02,509 --> 00:14:03,643
NOT HIS BEEFCAKE.

631
00:14:03,643 --> 00:14:04,945
TAMMY CAME BY--

632
00:14:04,945 --> 00:14:05,946
WHO? TAMMY CAME THROUGH?

633
00:14:05,946 --> 00:14:06,613
TAMMY--YEAH.

634
00:14:06,613 --> 00:14:07,280
SHE COOL?

635
00:14:07,280 --> 00:14:08,115
YOU KNOW, SHE KIND OF RUBBED

636
00:14:08,115 --> 00:14:08,916
ME OFF A LITTLE WRONG WHEN SHE

637
00:14:08,916 --> 00:14:10,250
WALKED UP IN MY CLOSET.

638
00:14:10,250 --> 00:14:11,084
NOW, BITCH, YOU GOT TO KNOW WHAT

639
00:14:11,084 --> 00:14:12,085
THE [bleep] I'M DOING BEFORE YOU

640
00:14:12,085 --> 00:14:13,253
JUST COME UP IN HERE WITH YOUR

641
00:14:13,253 --> 00:14:14,221
MOTHER[bleep] NOTEPAD, ACT LIKE

642
00:14:14,221 --> 00:14:14,922
YOU KNOW WHAT THE [bleep]

643
00:14:14,922 --> 00:14:16,123
I'M SUPPOSED TO LOOK LIKE.

644
00:14:16,123 --> 00:14:17,090
WHAT Y'ALL WAS DOING?

645
00:14:17,090 --> 00:14:18,091
WELL, WE TRIED ON SOME

646
00:14:18,091 --> 00:14:19,359
CLOTHES, AND SHE TOOK

647
00:14:19,359 --> 00:14:20,260
SOME PICTURES OF ME.

648
00:14:20,260 --> 00:14:21,128
WELL, YOU GOT THE PICTURES?

649
00:14:21,128 --> 00:14:21,794
CAN I SEE SOME?

650
00:14:21,794 --> 00:14:22,695
YEAH.

651
00:14:22,695 --> 00:14:23,863
THIS IS JUST--LISTEN, THIS IS

652
00:14:23,863 --> 00:14:24,731
JUST SOME LOOKS--

653
00:14:24,731 --> 00:14:26,233
LET ME SEE.

654
00:14:26,233 --> 00:14:27,100
SHE BROUGHT THIS DRESS FOR ME

655
00:14:27,100 --> 00:14:28,101
TO TRY ON, HONEY, WHICH IT WAS

656
00:14:28,101 --> 00:14:29,569
SO BIG AROUND MY WAIST.

657
00:14:29,569 --> 00:14:31,338
EVERYBODY CAN'T BE A SIZE 2.

658
00:14:31,338 --> 00:14:32,039
THAT THING LOOK RIGHT,

659
00:14:32,039 --> 00:14:32,705
THOUGH.

660
00:14:32,705 --> 00:14:33,573
I GUESS YOU CAN ALWAYS CLIP--

661
00:14:33,573 --> 00:14:34,241
SHE GOT SOME FLAVOR.

662
00:14:34,241 --> 00:14:35,108
OH, STEVIE,

663
00:14:35,108 --> 00:14:36,809
YOU KNOW DAMN WELL I DON'T WORK

664
00:14:36,809 --> 00:14:37,945
WITH NOBODY RAW LIKE THAT.

665
00:14:37,945 --> 00:14:38,745
I WORK BY MYSELF.

666
00:14:38,745 --> 00:14:39,512
I MEAN, IT SHOULD BE COOL YOU

667
00:14:39,512 --> 00:14:40,547
COULD COME UP TO THE HOUSE...

668
00:14:40,547 --> 00:14:41,648
I--THIS LOOKING LIKE

669
00:14:41,648 --> 00:14:42,950
IT MIGHT WORK.

670
00:14:42,950 --> 00:14:43,650
WHOO!

671
00:14:43,650 --> 00:14:45,552
SITUATE YOUR FACE. OH.

672
00:14:45,552 --> 00:14:46,886
SO IT LOOKS SEXY, MISS BABY.

673
00:14:46,886 --> 00:14:48,956
I DON'T NEED NO STYLIST.

674
00:14:48,956 --> 00:14:50,123
IF I WANT TO BE FRIENDS WITH THE

675
00:14:50,123 --> 00:14:50,991
BITCH, I'LL BE FRIENDS WITH THE

676
00:14:50,991 --> 00:14:51,658
BITCH, BUT I DON'T NEED

677
00:14:51,658 --> 00:14:52,325
NO STYLIST.

678
00:14:52,325 --> 00:14:53,860
I'M STILL ON THE FENCE WITH THIS

679
00:14:53,860 --> 00:14:54,561
BITCH TAMMY,

680
00:14:54,561 --> 00:14:55,462
BUT SHE WON'T BE STYLING ME

681
00:14:55,462 --> 00:14:56,429
NO TIME SOON.

682
00:14:56,429 --> 00:14:57,697
I JUST NEED TO HAVE MY [bleep]

683
00:14:57,697 --> 00:14:58,898
TOGETHER SO WHEN I DO THIS

684
00:14:58,898 --> 00:15:00,600
MAGAZINE, I CAN MAKE STEVIE

685
00:15:00,600 --> 00:15:01,368
PROUD.

686
00:15:01,368 --> 00:15:02,269
YOU'RE NOT ONLY

687
00:15:02,269 --> 00:15:03,436
THE BEST MANAGER.

688
00:15:03,436 --> 00:15:04,938
YOU'RE A GREAT HUSBAND.

689
00:15:04,938 --> 00:15:06,806
YOU'RE A GREAT PARTNER.

690
00:15:06,806 --> 00:15:08,208
YOU HAVE GREAT SEX,

691
00:15:08,208 --> 00:15:09,509
THE BEST I EVER HAD.

692
00:15:09,509 --> 00:15:10,177
YOU'RE THE BEST,

693
00:15:10,177 --> 00:15:11,311
AND I LOVE YOU FOR THAT,

694
00:15:11,311 --> 00:15:13,013
AND THANK YOU FOR TAKING

695
00:15:13,013 --> 00:15:15,348
A CHANCE ON ME.

696
00:15:15,348 --> 00:15:16,950
LISTEN, WITH ALL THAT...

697
00:15:16,950 --> 00:15:18,918
[murmurs indistinctly]

698
00:15:21,488 --> 00:15:22,389
I GOT THIS.

699
00:15:22,389 --> 00:15:24,391
[bleep].

700
00:15:33,766 --> 00:15:35,902
YEAH, HERE ARE SOME FRUITS.

701
00:15:35,902 --> 00:15:36,703
WAKA, [bleep] FACE.

702
00:15:36,703 --> 00:15:38,705
BETTER EAT THAT GODDAMN FRUIT.

703
00:15:42,109 --> 00:15:44,177
THAT'S WHAT YOU ASKED FOR.

704
00:15:44,177 --> 00:15:45,312
WAKA'S BEEN ON TOUR

705
00:15:45,312 --> 00:15:46,679
FOR A COUPLE OF WEEKS NOW,

706
00:15:46,679 --> 00:15:48,415
AND I MISS HAVING HIM AROUND.

707
00:15:48,415 --> 00:15:50,083
SO WHEN HE'S HOME, WE JUST SIT

708
00:15:50,083 --> 00:15:51,684
IN THE HOUSE AND SPEND TIME

709
00:15:51,684 --> 00:15:53,653
TOGETHER AND CATCH UP.

710
00:15:55,688 --> 00:15:57,390
YEAH.

711
00:15:57,390 --> 00:15:58,325
I TOLD YOU ABOUT THE GIRL,

712
00:15:58,325 --> 00:15:59,292
JOSELINE, RIGHT?

713
00:15:59,292 --> 00:16:01,161
I WENT TO HELP HER WITH A SHOOT,

714
00:16:01,161 --> 00:16:02,162
YOU KNOW, HELP STYLE HER FOR

715
00:16:02,162 --> 00:16:03,463
THIS SPREAD THAT SHE HAS,

716
00:16:03,463 --> 00:16:05,065
AND SHE KIND OF CAME FOR ME.

717
00:16:05,065 --> 00:16:06,066
I DIDN'T KNOW HOW TO TAKE IT,

718
00:16:06,066 --> 00:16:07,200
LIKE...

719
00:16:07,200 --> 00:16:08,035
I KIND OF TOLD HER I DIDN'T LIKE

720
00:16:08,035 --> 00:16:08,868
THE OUTFITS, AND SHE WAS LIKE,

721
00:16:08,868 --> 00:16:09,536
"WELL, THIS IS WHAT GOT

722
00:16:09,536 --> 00:16:10,203
ME MARRIED.

723
00:16:10,203 --> 00:16:11,971
MAYBE I CAN HELP YOU OUT,

724
00:16:11,971 --> 00:16:12,939
AND YOU WON'T HAVE THAT TATTOO.

725
00:16:12,939 --> 00:16:13,606
YOU'LL HAVE A ROCK

726
00:16:13,606 --> 00:16:16,076
ON YOUR FINGER."

727
00:16:16,076 --> 00:16:18,078
WHAT?

728
00:16:22,582 --> 00:16:23,616
AND NOT ONLY JUST THAT.

729
00:16:23,616 --> 00:16:24,917
LIKE, I EXPLAINED TO HER,

730
00:16:24,917 --> 00:16:26,886
AND I WAS TALKING WITH HER--

731
00:16:29,389 --> 00:16:30,457
SO INITIALLY, WHEN I FIRST

732
00:16:30,457 --> 00:16:31,724
MET JOSELINE, I THOUGHT THAT

733
00:16:31,724 --> 00:16:33,293
SHE WAS REALLY COOL AND FUNNY,

734
00:16:33,293 --> 00:16:34,661
AND THEN SHE THREW ME SOME

735
00:16:34,661 --> 00:16:36,729
SHADE, SO I THOUGHT MAYBE I WAS

736
00:16:36,729 --> 00:16:37,830
OVEREXAGGERATING, AND I TALKED

737
00:16:37,830 --> 00:16:39,366
TO MY GIRL MIMI, AND MIMI TOLD

738
00:16:39,366 --> 00:16:40,433
ME, NO, THAT WAS SHADE.

739
00:16:40,433 --> 00:16:41,868
SO I KNEW I WASN'T TRIPPIN'.

740
00:16:41,868 --> 00:16:42,835
SO I FEEL AS THOUGH IF WE GONNA

741
00:16:42,835 --> 00:16:43,903
BE COOL, I NEED TO SIT DOWN

742
00:16:43,903 --> 00:16:44,937
AND TALK TO HER AND LET HER

743
00:16:44,937 --> 00:16:46,206
KNOW, "LOOK, EITHER WE GONNA BE

744
00:16:46,206 --> 00:16:48,108
COOL, OR WE AIN'T GONNA BE COOL

745
00:16:48,108 --> 00:16:49,609
AT ALL, BECAUSE I DON'T SET UP

746
00:16:49,609 --> 00:16:52,011
MY FRIENDSHIPS THAT WAY."

747
00:16:52,011 --> 00:16:52,845
YEAH, IT'S--THERE'S A LOT

748
00:16:52,845 --> 00:16:54,881
GOING ON, BUT I'MA TALK TO HER.

749
00:16:54,881 --> 00:16:56,149
I'MA LET HER KNOW HOW I FEEL.

750
00:16:56,149 --> 00:16:56,883
LET HER KNOW, "LOOK,

751
00:16:56,883 --> 00:16:57,784
IF WE GONNA BE COOL,

752
00:16:57,784 --> 00:16:59,052
YOU AIN'T GOT TO DO ALL THAT."

753
00:16:59,052 --> 00:16:59,852
MAYBE SHE JUST HAD THIS FACADE

754
00:16:59,852 --> 00:17:00,587
UP.

755
00:17:00,587 --> 00:17:01,354
YOU KNOW HOW I AM WITH PEOPLE

756
00:17:01,354 --> 00:17:02,021
TOO.

757
00:17:02,021 --> 00:17:02,689
YEAH.

758
00:17:02,689 --> 00:17:03,656
I'MA BREAK THAT DOWN TO HER,

759
00:17:03,656 --> 00:17:04,357
AND, YOU KNOW, HOPEFULLY

760
00:17:04,357 --> 00:17:05,892
EVERYTHING PANS OUT THAT WAY.

761
00:17:05,892 --> 00:17:07,794
IF NOT, THEN [bleep] IT.

762
00:17:07,794 --> 00:17:10,363
LIKE, I DON'T--I AIN'T PRESSED

763
00:17:10,363 --> 00:17:12,365
FOR FRIENDS.

764
00:17:13,600 --> 00:17:15,602
COME AND GIVE ME A KISS.

765
00:17:18,971 --> 00:17:20,307
OKAY, I COME LONGER--

766
00:17:20,307 --> 00:17:21,508
CLOSER THAN YOU DID.

767
00:17:21,508 --> 00:17:22,842
[bleep]!

768
00:17:22,842 --> 00:17:24,844
[laughs]

769
00:17:30,183 --> 00:17:31,951
HI.

770
00:17:31,951 --> 00:17:32,985
PRETTY LADY.

771
00:17:32,985 --> 00:17:34,187
HEY, MAMA.

772
00:17:34,187 --> 00:17:34,854
HOW YOU DOING?

773
00:17:34,854 --> 00:17:35,788
HOW ARE YOU?

774
00:17:35,788 --> 00:17:36,923
I'M GOOD.

775
00:17:36,923 --> 00:17:38,958
WHAT WAS THAT THE OTHER DAY?

776
00:17:38,958 --> 00:17:39,926
THEY'RE NOT MARRIED.

777
00:17:39,926 --> 00:17:41,394
END OF DISCUSSION.

778
00:17:41,394 --> 00:17:42,295
YOU KNOW THE TRUTH

779
00:17:42,295 --> 00:17:43,696
AND SO DO I.

780
00:17:43,696 --> 00:17:44,364
EVEN THOUGH WE GOT

781
00:17:44,364 --> 00:17:45,665
ALL THE EVIDENCE THAT WE HAVE...

782
00:17:45,665 --> 00:17:47,500
I MEAN, HONESTLY, I'D RATHER

783
00:17:47,500 --> 00:17:49,001
NOT WASTE ANY MORE ENERGY

784
00:17:49,001 --> 00:17:50,170
ON THAT.

785
00:17:50,170 --> 00:17:52,472
I'D RATHER PUT MY ENERGY INTO

786
00:17:52,472 --> 00:17:53,640
MOVING FORWARD.

787
00:17:53,640 --> 00:17:55,242
I HAVE NO DOUBT THAT JOSELINE

788
00:17:55,242 --> 00:17:56,843
AND STEVIE'S MARRIAGE IS PHONY,

789
00:17:56,843 --> 00:17:57,610
BUT GUESS WHAT.

790
00:17:57,610 --> 00:17:58,645
I'M STARTING TO LOSE INTEREST

791
00:17:58,645 --> 00:17:59,612
IN THIS [bleep].

792
00:17:59,612 --> 00:18:00,513
I GOT OTHER THINGS

793
00:18:00,513 --> 00:18:01,681
TO WORRY ABOUT.

794
00:18:01,681 --> 00:18:02,915
DAWN SAID SHE HAD SOME OTHER

795
00:18:02,915 --> 00:18:04,217
BUSINESS TO DISCUSS WITH ME,

796
00:18:04,217 --> 00:18:06,018
AND I'M ALL ABOUT MY BUSINESS.

797
00:18:06,018 --> 00:18:07,487
THE OTHER DAY, YOU KNOW,

798
00:18:07,487 --> 00:18:09,222
I RAN ACROSS SOMETHING

799
00:18:09,222 --> 00:18:11,124
IN REFERENCE TO YOU WITH

800
00:18:11,124 --> 00:18:13,760
THE ADULT ENTERTAINMENT THING.

801
00:18:13,760 --> 00:18:14,927
YOU DON'T HAVE ANYTHING TO BE

802
00:18:14,927 --> 00:18:16,062
ASHAMED ABOUT.

803
00:18:16,062 --> 00:18:17,164
YOU KNOW, I'VE WORKED WITH

804
00:18:17,164 --> 00:18:18,498
SEVERAL, YOU KNOW,

805
00:18:18,498 --> 00:18:19,966
ADULT ENTERTAINMENT,

806
00:18:19,966 --> 00:18:22,169
AND A LOT OF PEOPLE

807
00:18:22,169 --> 00:18:24,671
MAKE MILLIONS OFF OF THAT,

808
00:18:24,671 --> 00:18:25,972
AND I WAS JUST, YOU KNOW,

809
00:18:25,972 --> 00:18:27,674
THINKING, "MAYBE I CAN BE SOME

810
00:18:27,674 --> 00:18:29,309
ASSISTANCE TO MIMI."

811
00:18:29,309 --> 00:18:30,143
I KNOW IT'S GONNA BE SOMETHING

812
00:18:30,143 --> 00:18:31,110
YOU HAVE TO THINK ABOUT.

813
00:18:31,110 --> 00:18:32,879
I'M NOT A "PORN STAR."

814
00:18:32,879 --> 00:18:34,181
THERE WON'T BE ANOTHER TAPE

815
00:18:34,181 --> 00:18:35,648
THAT I'M GONNA PUT OUT

816
00:18:35,648 --> 00:18:36,749
OR ANYTHING LIKE THAT.

817
00:18:36,749 --> 00:18:37,517
THIS WAS SOMETHING THAT GOT

818
00:18:37,517 --> 00:18:38,185
LEAKED.

819
00:18:38,185 --> 00:18:38,918
IT'S OUT THERE.

820
00:18:38,918 --> 00:18:40,153
THAT'S--THAT'S WHAT IT IS,

821
00:18:40,153 --> 00:18:41,721
BUT MOVING FORWARD,

822
00:18:41,721 --> 00:18:43,223
THAT'S NOT SOMETHING I PLAN

823
00:18:43,223 --> 00:18:45,425
TO CONTINUE TO DO.

824
00:18:45,425 --> 00:18:46,826
THE RELEASE OF THIS TAPE

825
00:18:46,826 --> 00:18:48,261
WAS A ONE-SHOT DEAL.

826
00:18:48,261 --> 00:18:49,829
I SIGNED THE CONTRACT BECAUSE

827
00:18:49,829 --> 00:18:51,698
THIS TAPE WAS COMING OUT

828
00:18:51,698 --> 00:18:52,765
REGARDLESS,

829
00:18:52,765 --> 00:18:54,267
BUT NOW THAT I HAVE SIGNED,

830
00:18:54,267 --> 00:18:55,668
I HAVE NO IDEA HOW I'M GONNA

831
00:18:55,668 --> 00:18:57,036
GET THROUGH THIS, AND I WONDER

832
00:18:57,036 --> 00:18:58,905
IF DAWN MIGHT BE ABLE TO HELP.

833
00:18:58,905 --> 00:19:00,473
I CAN HELP YOU REACH THE

834
00:19:00,473 --> 00:19:01,341
PLACES THAT YOU REALLY WANT TO

835
00:19:01,341 --> 00:19:03,176
GO IN A POSITIVE MANNER,

836
00:19:03,176 --> 00:19:03,976
'CAUSE I CAN SHOW YOU SOME

837
00:19:03,976 --> 00:19:05,778
DIFFERENT AVENUES AS FAR AS

838
00:19:05,778 --> 00:19:07,079
HOW TO BRAND YOURSELF.

839
00:19:07,079 --> 00:19:08,315
YOU KNOW, PEOPLE COULD SPEAK

840
00:19:08,315 --> 00:19:10,283
NEGATIVELY, BUT YOU GOT PEOPLE

841
00:19:10,283 --> 00:19:11,718
LIKE VANESSA WILLIAMS.

842
00:19:11,718 --> 00:19:13,052
YOU GOT MAINSTREAM PEOPLE WHO

843
00:19:13,052 --> 00:19:14,321
HAVE POSED FOR PLAYBOY

844
00:19:14,321 --> 00:19:15,688
AND, YOU KNOW, DIFFERENT ISSUES.

845
00:19:15,688 --> 00:19:17,190
SO YOU SHOULDN'T FEEL ANY TYPE

846
00:19:17,190 --> 00:19:17,957
OF WAY ABOUT THAT.

847
00:19:17,957 --> 00:19:19,292
DAWN, I'M REALLY STILL TRYING

848
00:19:19,292 --> 00:19:21,261
TO WRAP MY MIND AROUND

849
00:19:21,261 --> 00:19:21,928
THE SITUATION.

850
00:19:21,928 --> 00:19:23,363
LIKE, ONE MINUTE, OKAY,

851
00:19:23,363 --> 00:19:24,664
I FEEL LIKE I'M OKAY WITH IT,

852
00:19:24,664 --> 00:19:26,833
AND THE NEXT I'M LIKE, "AH!"

853
00:19:26,833 --> 00:19:27,667
LIKE, PULLING MY [bleep] HAIR

854
00:19:27,667 --> 00:19:28,335
OUT.

855
00:19:28,335 --> 00:19:29,702
LIKE, WHAT THE [bleep] IS GOING

856
00:19:29,702 --> 00:19:30,670
ON?

857
00:19:30,670 --> 00:19:31,704
THAT HAPPENED.

858
00:19:31,704 --> 00:19:32,805
IT HAPPENED BY MISTAKE.

859
00:19:32,805 --> 00:19:34,073
IT WASN'T LIKE IT WAS SOMETHING

860
00:19:34,073 --> 00:19:35,308
THAT YOU PLANNED TO DO.

861
00:19:35,308 --> 00:19:37,009
YOU KNOW, SO YOU HAVE TO LOOK AT

862
00:19:37,009 --> 00:19:38,845
IT FROM A BETTER POINT OF VIEW.

863
00:19:38,845 --> 00:19:40,480
DON'T BEAT YOURSELF UP WITH IT.

864
00:19:40,480 --> 00:19:41,348
AND THAT'S WHAT I'VE BEEN

865
00:19:41,348 --> 00:19:42,014
DOING.

866
00:19:42,014 --> 00:19:42,949
YEAH, DON'T DO THAT.

867
00:19:42,949 --> 00:19:44,717
I NEVER ENVISIONED MY LIFE

868
00:19:44,717 --> 00:19:46,085
AS AN ADULT ENTERTAINER,

869
00:19:46,085 --> 00:19:47,354
BUT I HAVE TO BE SMART ABOUT

870
00:19:47,354 --> 00:19:48,655
THE MOVES THAT I MAKE NOW.

871
00:19:48,655 --> 00:19:50,189
I HAVE TO CONTROL MY IMAGE.

872
00:19:50,189 --> 00:19:51,658
I HAVE TO CONTROL THE MESSAGE

873
00:19:51,658 --> 00:19:52,625
THAT I'M PUTTING OUT,

874
00:19:52,625 --> 00:19:54,394
AND DAWN JUST MIGHT BE

875
00:19:54,394 --> 00:19:55,462
THE PERSON TO HELP ME.

876
00:19:55,462 --> 00:19:56,763
WELL, I'M DEFINITELY GONNA THINK

877
00:19:56,763 --> 00:19:57,530
ABOUT IT.

878
00:19:57,530 --> 00:19:59,366
I HEARD EVERYTHING YOU SAID,

879
00:19:59,366 --> 00:20:01,234
AND I APPRECIATE THAT YOU EVEN

880
00:20:01,234 --> 00:20:02,835
TOOK THE TIME TO EVEN WANT TO--

881
00:20:02,835 --> 00:20:03,836
HELPING ME OUT,

882
00:20:03,836 --> 00:20:04,737
AND YOU'RE PITCHING ME

883
00:20:04,737 --> 00:20:05,638
LIKE YOU ARE.

884
00:20:05,638 --> 00:20:07,807
LIKE, THAT SAYS A LOT.

885
00:20:07,807 --> 00:20:08,975
CALL ME ABOUT IT.

886
00:20:08,975 --> 00:20:10,243
WE CAN GO FROM THERE.

887
00:20:10,243 --> 00:20:11,077
AWESOME.

888
00:20:11,077 --> 00:20:11,844
WE GONNA WIN.

889
00:20:11,844 --> 00:20:12,879
ANYTHING I EVER DONE,

890
00:20:12,879 --> 00:20:14,113
I'VE ALWAYS WON AT IT,

891
00:20:14,113 --> 00:20:15,715
OR I DON'T DO IT.

892
00:20:15,715 --> 00:20:17,083
WAKE UP.

893
00:20:17,083 --> 00:20:18,651
IT'S OUR ONE-YEAR ANNIVERSARY.

894
00:20:18,651 --> 00:20:20,119
I WANTED TO SURPRISE YOU

895
00:20:20,119 --> 00:20:21,187
WITH THIS BREAKFAST.

896
00:20:21,187 --> 00:20:23,055
HAPPY ANNIVERSARY.

897
00:20:23,055 --> 00:20:24,591
I TOLD THAT SON OF MINE

898
00:20:24,591 --> 00:20:26,025
TO [bleep] GET SOME GODDAMN

899
00:20:26,025 --> 00:20:27,527
CONTROL ON THIS [bleep]!

900
00:20:27,527 --> 00:20:28,695
YOU COME [bleep] BACK HERE.

901
00:20:28,695 --> 00:20:30,663
YOU COME [bleep] BACK HERE!

902
00:20:30,663 --> 00:20:32,699
GOD DAMN IT!

903
00:20:35,335 --> 00:20:36,369
* OH, OH, OH, OH

904
00:20:36,369 --> 00:20:37,570
♪ OH, OH

905
00:20:37,570 --> 00:20:38,571
[folksy music]

906
00:20:38,571 --> 00:20:42,575
♪ OH, OH, OH, OH, OH, OH, OH

907
00:20:42,575 --> 00:20:44,344
♪ OH, OH, OH, OH

908
00:20:44,344 --> 00:20:45,144
♪ OH

909
00:20:45,144 --> 00:20:48,848
♪ I'M ALL TINGLES AND CHILLS ♪

910
00:20:48,848 --> 00:20:49,582
♪ DO YOU KNOW

911
00:20:49,582 --> 00:20:51,784
♪ WHAT YOU'VE DONE? ♪

912
00:20:51,784 --> 00:20:53,953
♪ YOU BROUGHT ME THE SUN

913
00:20:53,953 --> 00:20:55,221
♪ YEAH, YOU BROUGHT ME

914
00:20:55,221 --> 00:20:56,656
♪ THE SUN

915
00:20:56,656 --> 00:20:59,592
♪ CAN YOU GUESS HOW IT FEELS

916
00:20:59,592 --> 00:21:02,662
♪ WHEN FEELING THE THRILLS

917
00:21:02,662 --> 00:21:05,231
♪ ALL OVER ME?

918
00:21:05,231 --> 00:21:07,600
♪ TINGLES AND CHILLS

919
00:21:07,600 --> 00:21:09,769
WAKE UP.

920
00:21:09,769 --> 00:21:11,571
IT'S OUR ONE-YEAR ANNIVERSARY.

921
00:21:11,571 --> 00:21:13,139
I WANTED TO SURPRISE YOU

922
00:21:13,139 --> 00:21:14,273
WITH BREAKFAST.

923
00:21:14,273 --> 00:21:17,009
SO AWESOME.

924
00:21:17,009 --> 00:21:18,244
HAPPY ANNIVERSARY.

925
00:21:18,244 --> 00:21:20,112
MMM, THANK YOU.

926
00:21:20,112 --> 00:21:21,147
WHAT BETTER WAY TO CELEBRATE

927
00:21:21,147 --> 00:21:22,181
YOUR ANNIVERSARY THAN BREAKFAST

928
00:21:22,181 --> 00:21:23,049
IN BED?

929
00:21:23,049 --> 00:21:24,283
MIMI AND I HAVE BEEN TOGETHER

930
00:21:24,283 --> 00:21:25,117
FOR ONE YEAR.

931
00:21:25,117 --> 00:21:26,252
I LOVE BEING WITH HER.

932
00:21:26,252 --> 00:21:27,587
I ENJOY LIVING WITH HER.

933
00:21:27,587 --> 00:21:29,055
AND I WANT TO MAKE SURE

934
00:21:29,055 --> 00:21:30,557
THAT SHE KNOWS THAT.

935
00:21:30,557 --> 00:21:31,724
THIS HAS BEEN A INTERESTING

936
00:21:31,724 --> 00:21:33,125
YEAR.

937
00:21:33,125 --> 00:21:34,727
WE MANAGED TO STICK IT OUT

938
00:21:34,727 --> 00:21:37,029
THROUGH ALL OF THE B.S.,

939
00:21:37,029 --> 00:21:38,365
THROUGH THE HATIN',

940
00:21:38,365 --> 00:21:40,367
THROUGH THIS WHOLE ADULT

941
00:21:40,367 --> 00:21:42,535
ENTERTAINMENT SITUATION.

942
00:21:42,535 --> 00:21:43,470
LISTEN, HOW DID YOUR MEETING

943
00:21:43,470 --> 00:21:44,371
GO WITH DAWN?

944
00:21:44,371 --> 00:21:45,905
WENT GREAT, ACTUALLY.

945
00:21:45,905 --> 00:21:47,607
SHE JUST HELPED ME KIND OF LOOK

946
00:21:47,607 --> 00:21:49,141
AT THINGS IN A DIFFERENT WAY.

947
00:21:49,141 --> 00:21:50,076
RIGHT.

948
00:21:50,076 --> 00:21:51,511
AND, LIKE, SHE REALLY WANTS

949
00:21:51,511 --> 00:21:52,244
TO MANAGE ME.

950
00:21:52,244 --> 00:21:53,112
THAT'S GOOD. THAT'S GOOD.

951
00:21:53,112 --> 00:21:54,481
LIKE, MOVING FORWARD AS FAR

952
00:21:54,481 --> 00:21:56,349
AS, YOU KNOW, THE BOOKINGS.

953
00:21:56,349 --> 00:21:57,917
AS FAR AS THIS TAPE,

954
00:21:57,917 --> 00:21:58,951
SHE HELPED ME LOOK AT THAT

955
00:21:58,951 --> 00:21:59,752
IN A WHOLE DIFFERENT LIGHT.

956
00:21:59,752 --> 00:22:01,788
I THINK IT'S BETTER FOR YOU

957
00:22:01,788 --> 00:22:03,022
TO HEAR IT FROM A WOMAN.

958
00:22:03,022 --> 00:22:03,890
IT WAS.

959
00:22:03,890 --> 00:22:05,157
I ACCEPTED IT FROM HER

960
00:22:05,157 --> 00:22:06,493
A LITTLE DIFFERENTLY THAN I DO

961
00:22:06,493 --> 00:22:07,293
WHEN I HAVE THE CONVERSATION

962
00:22:07,293 --> 00:22:08,127
WITH YOU.

963
00:22:08,127 --> 00:22:09,462
YOU KNOW, IT'S REALLY HARD

964
00:22:09,462 --> 00:22:10,497
TO SEE THE BRIGHT SIDE OF HAVING

965
00:22:10,497 --> 00:22:12,231
YOUR SEX TAPE LEAKED,

966
00:22:12,231 --> 00:22:13,299
AND I'LL NEVER BE COMFORTABLE

967
00:22:13,299 --> 00:22:15,067
BEING LABELED AS A PORN STAR,

968
00:22:15,067 --> 00:22:16,503
BUT DAWN ASSURED ME THAT THERE'S

969
00:22:16,503 --> 00:22:17,770
A WAY WE COULD SPIN THIS INTO

970
00:22:17,770 --> 00:22:19,872
A GREAT BUSINESS OPPORTUNITY.

971
00:22:19,872 --> 00:22:21,040
SO WHAT ARE YOU THINKING?

972
00:22:21,040 --> 00:22:22,742
I THINK IT WOULD BE A GOOD

973
00:22:22,742 --> 00:22:23,410
RELATIONSHIP.

974
00:22:23,410 --> 00:22:24,210
'CAUSE YOU KNOW HOW YOU ARE

975
00:22:24,210 --> 00:22:25,445
WITH TRUSTING PEOPLE.

976
00:22:25,445 --> 00:22:26,779
FOR YOU TO VOUCH FOR HER,

977
00:22:26,779 --> 00:22:28,648
THAT'S A BIG STEP FOR YOU.

978
00:22:28,648 --> 00:22:29,916
SO FAR,

979
00:22:29,916 --> 00:22:31,083
SHE'S BEEN ON, STRAIGHT ACROSS

980
00:22:31,083 --> 00:22:31,884
THE BOARD,

981
00:22:31,884 --> 00:22:33,653
SO I'M GONNA GIVE HER THAT

982
00:22:33,653 --> 00:22:35,321
UNTIL SHE SHOWS ME OTHERWISE...

983
00:22:35,321 --> 00:22:35,988
RIGHT.

984
00:22:35,988 --> 00:22:36,856
I'M GONNA GIVE HER THAT.

985
00:22:36,856 --> 00:22:38,858
MOVING FORWARD.

986
00:22:38,858 --> 00:22:39,626
I WANT TO GIVE US

987
00:22:39,626 --> 00:22:40,993
A ANNIVERSARY PARTY.

988
00:22:40,993 --> 00:22:41,794
REALLY?

989
00:22:41,794 --> 00:22:42,929
I WANTED TO TAKE THIS BEYOND

990
00:22:42,929 --> 00:22:43,863
BREAKFAST IN BED.

991
00:22:43,863 --> 00:22:44,531
YOU KNOW WHAT?

992
00:22:44,531 --> 00:22:45,765
WELL, MAYBE I'LL HAVE DAWN

993
00:22:45,765 --> 00:22:46,933
THROW THE PARTY.

994
00:22:46,933 --> 00:22:48,067
LIKE, SHE'S REALLY GOOD AT THAT.

995
00:22:48,067 --> 00:22:49,268
IF YOU BELIEVE IN HER LIKE

996
00:22:49,268 --> 00:22:50,169
THAT AND YOU LIKE HER LIKE

997
00:22:50,169 --> 00:22:50,837
THAT, LET'S HAVE--

998
00:22:50,837 --> 00:22:51,704
I'LL CALL HER TODAY ABOUT IT.

999
00:22:51,704 --> 00:22:52,371
SHE'S CONNECTED?

1000
00:22:52,371 --> 00:22:53,673
SHE'S VERY WELL-CONNECTED.

1001
00:22:53,673 --> 00:22:55,408
MAYBE SHE CAN HAVE BENZINO

1002
00:22:55,408 --> 00:22:56,375
COVER THE PARTY

1003
00:22:56,375 --> 00:22:57,977
WITH HIP HOP WEEKLY.

1004
00:22:57,977 --> 00:22:59,045
WE'LL FIGURE THAT OUT WHEN THAT

1005
00:22:59,045 --> 00:23:00,747
COMES, BUT I WANT TO THROW THIS

1006
00:23:00,747 --> 00:23:01,414
PARTY FOR US.

1007
00:23:01,414 --> 00:23:02,081
OKAY.

1008
00:23:02,081 --> 00:23:03,315
HAPPY ANNIVERSARY.

1009
00:23:03,315 --> 00:23:05,317
THANK YOU.

1010
00:23:13,626 --> 00:23:14,827
I CALLED BOTH OF YOU HERE

1011
00:23:14,827 --> 00:23:16,095
TODAY BECAUSE

1012
00:23:16,095 --> 00:23:17,363
WHAT YOU BITCHES DID

1013
00:23:17,363 --> 00:23:19,065
AT MY SON'S BIRTHDAY PARTY--

1014
00:23:19,065 --> 00:23:20,399
AND BELIEVE ME,

1015
00:23:20,399 --> 00:23:23,269
DON'T TAKE IT THE WRONG WAY,

1016
00:23:23,269 --> 00:23:24,737
BUT IT WAS HIS 30TH BIRTHDAY

1017
00:23:24,737 --> 00:23:25,404
PARTY.

1018
00:23:25,404 --> 00:23:27,373
SO I WAS DOWN WITH THE BAMBI,

1019
00:23:27,373 --> 00:23:29,742
BUT THE PINKETT LADY SEEMS TO

1020
00:23:29,742 --> 00:23:31,578
LOVE MY SON ALSO.

1021
00:23:31,578 --> 00:23:32,745
WE'LL SEE WHERE MY ALLEGIANCE

1022
00:23:32,745 --> 00:23:35,247
LIES AT THE END OF THIS MEETING.

1023
00:23:35,247 --> 00:23:36,883
SO WHAT I WANT YOU TO DO

1024
00:23:36,883 --> 00:23:40,052
IS TO HASHTAG THIS BULL[bleep].

1025
00:23:40,052 --> 00:23:42,054
YOU HAVE TO UNDERSTAND THAT

1026
00:23:42,054 --> 00:23:43,656
WITH ME, I HAD A MISCARRIAGE

1027
00:23:43,656 --> 00:23:44,323
MYSELF.

1028
00:23:44,323 --> 00:23:44,991
RIGHT.

1029
00:23:44,991 --> 00:23:46,559
SO YOU HAVE TO UNDERSTAND

1030
00:23:46,559 --> 00:23:47,927
BAMBI'S POSITION.

1031
00:23:47,927 --> 00:23:49,428
WHAT POSITION WAS THAT?

1032
00:23:49,428 --> 00:23:50,897
LET ME GET TO IT.

1033
00:23:50,897 --> 00:23:51,864
AND BAMBI,

1034
00:23:51,864 --> 00:23:53,032
YOU HAVE TO UNDERSTAND

1035
00:23:53,032 --> 00:23:54,501
ERICA'S POSITION.

1036
00:23:54,501 --> 00:23:55,668
SHE DON'T HAVE A POSITION.

1037
00:23:55,668 --> 00:23:56,503
OKAY.

1038
00:23:56,503 --> 00:23:57,403
SHE MIGHT--DON'T--

1039
00:23:57,403 --> 00:23:59,772
THAT YOU THINK, BUT SHE DO--

1040
00:23:59,772 --> 00:24:03,442
[all yelling]

1041
00:24:03,442 --> 00:24:05,044
WHAT'S YOUR POSITION, BITCH?

1042
00:24:05,044 --> 00:24:06,112
THAT'S MY POSITION IN YOUR

1043
00:24:06,112 --> 00:24:07,547
[bleep] ASS, BITCH!

1044
00:24:07,547 --> 00:24:08,848
NOW GET MY RED BARBIES

1045
00:24:08,848 --> 00:24:09,516
AND COME ON.

1046
00:24:09,516 --> 00:24:10,583
I SWEAR TO GOD,

1047
00:24:10,583 --> 00:24:12,184
I TOLD THAT SON OF MINE TO

1048
00:24:12,184 --> 00:24:13,352
[bleep] GET SOME GODDAMN

1049
00:24:13,352 --> 00:24:14,921
CONTROL OVER THIS [bleep]!

1050
00:24:14,921 --> 00:24:15,622
SOMEBODY'S KNOCKOFF

1051
00:24:15,622 --> 00:24:16,355
LOUBOUTIN HEEL.

1052
00:24:16,355 --> 00:24:17,890
NO, NO, NO. NO, NO, NO.

1053
00:24:17,890 --> 00:24:19,125
YOU COME [bleep] BACK HERE.

1054
00:24:19,125 --> 00:24:21,060
YOU COME [bleep] BACK HERE!

1055
00:24:21,060 --> 00:24:22,194
GOD DAMN IT!

1056
00:24:22,194 --> 00:24:22,995
I DON'T CARE ABOUT YOUR...

1057
00:24:22,995 --> 00:24:23,663
LISTEN.

1058
00:24:23,663 --> 00:24:24,330
SON.

1059
00:24:24,330 --> 00:24:24,997
LISTEN!

1060
00:24:24,997 --> 00:24:25,832
DON'T EVER TELL ME YOU DON'T

1061
00:24:25,832 --> 00:24:26,499
CARE ABOUT MY SON.

1062
00:24:26,499 --> 00:24:27,166
I DON'T.

1063
00:24:27,166 --> 00:24:28,367
GOD DAMN IT, GO ON.

1064
00:24:28,367 --> 00:24:29,101
I DON'T TALK ABOUT

1065
00:24:29,101 --> 00:24:29,802
YOUR BABY MOTHER,

1066
00:24:29,802 --> 00:24:31,070
NEITHER DO I TALK ABOUT TAMMY

1067
00:24:31,070 --> 00:24:32,238
WHEN SHE'S NOT AROUND.

1068
00:24:32,238 --> 00:24:33,673
SO I WOULD APPRECIATE THEM

1069
00:24:33,673 --> 00:24:34,507
TO LEAVE ME THE [bleep] OUT

1070
00:24:34,507 --> 00:24:36,509
OF THEIR CONVERSATION.

1071
00:24:42,448 --> 00:24:43,850
YOU COME [bleep] BACK HERE.

1072
00:24:43,850 --> 00:24:45,918
YOU COME [bleep] BACK HERE!

1073
00:24:45,918 --> 00:24:47,219
GOD DAMN IT!

1074
00:24:47,219 --> 00:24:48,487
I'M SCRAPPY'S GIRLFRIEND.

1075
00:24:48,487 --> 00:24:49,155
THIS BITCH AIN'T EVEN

1076
00:24:49,155 --> 00:24:50,322
A REAL SIDE CHICK.

1077
00:24:50,322 --> 00:24:52,559
WHY WOULD MOMMA DEE EVEN THINK

1078
00:24:52,559 --> 00:24:53,392
I WOULD WANT TO HEAR ANYTHING

1079
00:24:53,392 --> 00:24:54,493
SHE HAS TO SAY?

1080
00:24:54,493 --> 00:24:56,495
THIS IS THE ULTIMATE DISRESPECT.

1081
00:25:00,466 --> 00:25:04,904
LISTEN. LISTEN!

1082
00:25:09,041 --> 00:25:11,143
LISTEN!

1083
00:25:26,593 --> 00:25:27,927
WELL, LISTEN!

1084
00:25:27,927 --> 00:25:29,929
I DON'T CARE.

1085
00:25:31,631 --> 00:25:32,565
OKAY, WELL, GO ON.

1086
00:25:32,565 --> 00:25:34,266
GO ON, BABY.

1087
00:25:34,266 --> 00:25:35,668
GOD DAMN IT. GO ON.

1088
00:25:35,668 --> 00:25:37,837
NOBODY TELLS ME THAT THEY DON'T

1089
00:25:37,837 --> 00:25:39,606
CARE ABOUT MY PRINCE.

1090
00:25:39,606 --> 00:25:41,240
IT'S TIME TO GET YOUR GODDAMN

1091
00:25:41,240 --> 00:25:42,274
FOUR-LEGGED ASS

1092
00:25:42,274 --> 00:25:43,309
OUT OF MY PALACE.

1093
00:25:43,309 --> 00:25:45,044
THAT'S YOUR LAST AND FINAL WORD?

1094
00:25:45,044 --> 00:25:46,913
LET IT BE.

1095
00:25:46,913 --> 00:25:49,148
SO SINCE YOU DISRESPECTED ME,

1096
00:25:49,148 --> 00:25:50,282
THE QUEEN,

1097
00:25:50,282 --> 00:25:51,383
AWAY WITH YOU.

1098
00:25:51,383 --> 00:25:52,284
GUARDS!

1099
00:25:52,284 --> 00:25:53,986
I WANT HER OUT OF THE PALACE.

1100
00:25:53,986 --> 00:25:55,955
ESCORT HER OUT!

1101
00:25:57,690 --> 00:25:58,625
THERE'S A SHAKE-UP

1102
00:25:58,625 --> 00:25:59,525
IN THE PALACE.

1103
00:25:59,525 --> 00:26:00,927
THERE'S A [bleep] SHAKE-UP

1104
00:26:00,927 --> 00:26:02,929
IN THE PALACE!

1105
00:26:04,163 --> 00:26:05,431
DAMN.

1106
00:26:05,431 --> 00:26:07,433
LOOK AT THIS.

1107
00:26:15,007 --> 00:26:16,008
[hip-hop music]

1108
00:26:16,008 --> 00:26:18,577
* WATCH OUT

1109
00:26:18,577 --> 00:26:19,278
♪ HAS GOT

1110
00:26:19,278 --> 00:26:20,012
* CRAZY

1111
00:26:20,012 --> 00:26:21,147
♪ WHAT THEY WANT TO SAY

1112
00:26:21,147 --> 00:26:21,814
* HEY

1113
00:26:21,814 --> 00:26:22,682
* PLAY THE TYPE OF GAME

1114
00:26:22,682 --> 00:26:24,250
♪ THAT THEY WANT TO PLAY

1115
00:26:24,250 --> 00:26:25,051
IT'S GONNA BE DOPE.

1116
00:26:25,051 --> 00:26:26,518
YEAH, CARTONS OF CIGARETTES

1117
00:26:26,518 --> 00:26:27,887
FOR THIS ISSUE RIGHT HERE, BABY.

1118
00:26:27,887 --> 00:26:28,554
YEAH, MAN.

1119
00:26:28,554 --> 00:26:30,657
I MEAN, PRISONS, YOU KNOW,

1120
00:26:30,657 --> 00:26:32,124
THEY SHOULD LOVE IT UP NORTH.

1121
00:26:32,124 --> 00:26:32,792
YEAH.

1122
00:26:32,792 --> 00:26:33,592
I'M THE LUCKIEST MAN

1123
00:26:33,592 --> 00:26:34,727
IN THE WORLD, 'CAUSE CAN'T

1124
00:26:34,727 --> 00:26:36,595
NOBODY BRING THE SEXY BETTER

1125
00:26:36,595 --> 00:26:38,230
THAN MY PUERTO RICAN PRINCESS.

1126
00:26:38,230 --> 00:26:39,699
THIS HIP HOP WEEKLY SPREAD IS

1127
00:26:39,699 --> 00:26:40,767
GONNA BE AWESOME!

1128
00:26:40,767 --> 00:26:41,668
THIS GONNA TAKE IT TO A WHOLE

1129
00:26:41,668 --> 00:26:42,434
NEW LEVEL.

1130
00:26:42,434 --> 00:26:44,170
I WAS THINKING WE DO A NICE,

1131
00:26:44,170 --> 00:26:45,071
YOU KNOW, CENTERFOLD PULL-OUT.

1132
00:26:45,071 --> 00:26:45,738
THAT'S HOT.

1133
00:26:45,738 --> 00:26:46,505
YOU KNOW WHAT I'M SAYING?

1134
00:26:46,505 --> 00:26:47,173
YEAH.

1135
00:26:47,173 --> 00:26:48,007
AND PUT IT ON THEIR WALLS AND

1136
00:26:48,007 --> 00:26:48,675
EVERYTHING.

1137
00:26:48,675 --> 00:26:49,776
THAT WOULD BE GOOD.

1138
00:26:49,776 --> 00:26:50,943
I LIKE THAT IDEA.

1139
00:26:50,943 --> 00:26:52,411
OF COURSE MY PHOTO SHOOT

1140
00:26:52,411 --> 00:26:53,145
WENT GREAT.

1141
00:26:53,145 --> 00:26:54,914
I DON'T NEED TAMMY OR ANY WOMAN

1142
00:26:54,914 --> 00:26:56,215
TO TELL ME OR SHOW ME

1143
00:26:56,215 --> 00:26:57,049
HOW TO BE SEXY.

1144
00:26:57,049 --> 00:26:58,284
I HAVE THAT UNDER CONTROL.

1145
00:26:58,284 --> 00:26:59,752
WANTED TO ASK YOU SOMETHING.

1146
00:26:59,752 --> 00:27:01,053
WHAT?

1147
00:27:01,053 --> 00:27:02,554
'CAUSE HE SAID SOMETHING--

1148
00:27:02,554 --> 00:27:03,923
OH, GOSH.

1149
00:27:03,923 --> 00:27:04,757
WHAT THE [bleep]?

1150
00:27:04,757 --> 00:27:05,557
HERE WE GO. HERE WE GO.

1151
00:27:05,557 --> 00:27:07,293
I MEAN, THE OTHER DAY,

1152
00:27:07,293 --> 00:27:08,160
HE SAID SOMETHING ABOUT

1153
00:27:08,160 --> 00:27:09,762
MIMI KNEW ABOUT THE PHOTO SHOOT.

1154
00:27:09,762 --> 00:27:10,830
HOW DID MIMI...

1155
00:27:10,830 --> 00:27:12,164
OH, YEAH, THAT WAS CRAZY.

1156
00:27:12,164 --> 00:27:13,065
HOW DID SHE KNOW ABOUT THAT?

1157
00:27:13,065 --> 00:27:14,033
I MEAN, I ASKED YOU THAT.

1158
00:27:14,033 --> 00:27:14,934
DID YOU TELL HER?

1159
00:27:14,934 --> 00:27:15,802
I DON'T TALK TO HER.

1160
00:27:15,802 --> 00:27:16,669
SHE AIN'T NO FRIEND OF MINE.

1161
00:27:16,669 --> 00:27:17,336
I'M--I DON'T--

1162
00:27:17,336 --> 00:27:18,070
I MEAN, I DON'T TALK TO

1163
00:27:18,070 --> 00:27:18,738
NOBODY.

1164
00:27:18,738 --> 00:27:19,438
THE ONLY PERSON THAT KNOW

1165
00:27:19,438 --> 00:27:20,572
WAS HIM AND TAMMY, 'CAUSE THAT'S

1166
00:27:20,572 --> 00:27:21,373
THE ONLY OTHER PERSON THAT

1167
00:27:21,373 --> 00:27:22,041
I TOLD.

1168
00:27:22,041 --> 00:27:23,009
ARE THEY FRIENDS?

1169
00:27:23,009 --> 00:27:23,676
I DON'T LIKE IT.

1170
00:27:23,676 --> 00:27:24,576
I HOPE THIS BITCH TAMMY

1171
00:27:24,576 --> 00:27:25,745
DIDN'T TELL HER, 'CAUSE IF I HAD

1172
00:27:25,745 --> 00:27:27,013
THIS BITCH ALL UP IN MY HOUSE

1173
00:27:27,013 --> 00:27:28,414
AND ACTING LIKE WE WAS GONNA

1174
00:27:28,414 --> 00:27:29,849
BUILD THIS WHOLE RELATIONSHIP,

1175
00:27:29,849 --> 00:27:30,850
AND YOU'RE GOING AROUND TELLING

1176
00:27:30,850 --> 00:27:32,118
THESE OLD, RAGGEDY COUGARS

1177
00:27:32,118 --> 00:27:33,619
MY BUSINESS IN ATLANTA,

1178
00:27:33,619 --> 00:27:34,286
YOU AND I ARE GONNA HAVE

1179
00:27:34,286 --> 00:27:34,954
A PROBLEM.

1180
00:27:34,954 --> 00:27:35,722
I DON'T THINK IT WAS LIKE

1181
00:27:35,722 --> 00:27:36,355
THAT.

1182
00:27:36,355 --> 00:27:37,156
SHE DON'T SEEM LIKE THAT TYPE

1183
00:27:37,156 --> 00:27:38,224
OF PERSON TO ME.

1184
00:27:38,224 --> 00:27:39,692
OKAY, OF COURSE SHE DON'T.

1185
00:27:39,692 --> 00:27:40,793
DON'T GET YOUR PANTIES ALL

1186
00:27:40,793 --> 00:27:42,561
BUNCHED UP OVER THIS RIGHT HERE.

1187
00:27:42,561 --> 00:27:43,495
THIS IS MINOR.

1188
00:27:43,495 --> 00:27:44,630
I THINK YOU AND HER SHOULD JUST

1189
00:27:44,630 --> 00:27:45,397
CONTINUE BUILDING OUR

1190
00:27:45,397 --> 00:27:47,166
FRIENDSHIP AND JUST, YOU KNOW--

1191
00:27:47,166 --> 00:27:48,467
WELL, AS I RECALL,

1192
00:27:48,467 --> 00:27:49,201
I DON'T TALK ABOUT YOUR

1193
00:27:49,201 --> 00:27:50,036
BABY MOTHER,

1194
00:27:50,036 --> 00:27:51,137
NEITHER DO I TALK ABOUT TAMMY

1195
00:27:51,137 --> 00:27:52,304
WHEN SHE'S NOT AROUND.

1196
00:27:52,304 --> 00:27:53,706
SO I WILL APPRECIATE THEM

1197
00:27:53,706 --> 00:27:54,506
TO LEAVE ME THE [bleep] OUT OF

1198
00:27:54,506 --> 00:27:55,574
THEIR CONVERSATION.

1199
00:27:55,574 --> 00:27:56,275
ALL RIGHT, WELL, AIN'T

1200
00:27:56,275 --> 00:27:57,009
NOTHING GONNA SPOIL THIS.

1201
00:27:57,009 --> 00:27:57,676
THIS IS ALL ABOUT YOU.

1202
00:27:57,676 --> 00:27:58,510
THINK THEY'RE READY FOR YOU

1203
00:27:58,510 --> 00:27:59,178
RIGHT NOW.

1204
00:27:59,178 --> 00:28:00,046
YEAH, LET'S GET BACK TO BEING

1205
00:28:00,046 --> 00:28:00,780
BEAUTIFUL, BABY.

1206
00:28:00,780 --> 00:28:01,447
CARLOS, YOU READY?

1207
00:28:01,447 --> 00:28:02,148
YEAH.

1208
00:28:02,148 --> 00:28:03,449
I'MA HAVE A CONVERSATION WITH

1209
00:28:03,449 --> 00:28:04,851
BOTH OF THEM HOS ONE DAY,

1210
00:28:04,851 --> 00:28:06,118
AND I SAY BOTH, 'CAUSE I'MA HAVE

1211
00:28:06,118 --> 00:28:06,953
TO CHECK YOUR BABY MOTHER

1212
00:28:06,953 --> 00:28:07,820
SOONER OR LATER.

1213
00:28:07,820 --> 00:28:08,487
COME ON. LISTEN--

1214
00:28:08,487 --> 00:28:09,155
AND IT MIGHT BE SOONER

1215
00:28:09,155 --> 00:28:09,789
THAN LATER.

1216
00:28:09,789 --> 00:28:10,456
LISTEN, LISTEN.

1217
00:28:10,456 --> 00:28:11,991
GET BACK TO BEING BEAUTIFUL.

1218
00:28:11,991 --> 00:28:12,691
GOT TO GET BACK TO WORK,

1219
00:28:12,691 --> 00:28:13,492
'CAUSE I AIN'T GOT TIME FOR

1220
00:28:13,492 --> 00:28:14,193
THESE FELLAS.

1221
00:28:14,193 --> 00:28:15,461
OOH!

1222
00:28:15,461 --> 00:28:16,528
[sighs]

1223
00:28:16,528 --> 00:28:17,296
MAYBE I SHOULD HAVE

1224
00:28:17,296 --> 00:28:19,165
A CIGAR OR SOMETHING.

1225
00:28:19,165 --> 00:28:20,332
AT THIS POINT, LIKE,

1226
00:28:20,332 --> 00:28:21,667
ME AND HIM AIN'T EVEN THERE.

1227
00:28:21,667 --> 00:28:22,835
LIKE, I DON'T NEED NO [bleep]

1228
00:28:22,835 --> 00:28:23,803
PUTTING ME IN NO POSITIONS

1229
00:28:23,803 --> 00:28:24,470
LIKE THIS.

1230
00:28:24,470 --> 00:28:25,772
I FEEL LIKE BOTH Y'ALL ARE

1231
00:28:25,772 --> 00:28:26,806
BRINGING UNNECESSARY DRAMA INTO

1232
00:28:26,806 --> 00:28:27,473
MY LIFE.

1233
00:28:27,473 --> 00:28:29,475
I DON'T DO THIS.

1234
00:28:33,145 --> 00:28:34,146
[hip-hop music]

1235
00:28:34,146 --> 00:28:37,884
♪

1236
00:28:37,884 --> 00:28:39,485
* ALL RIGHT

1237
00:28:39,485 --> 00:28:40,352
♪ LISTEN

1238
00:28:40,352 --> 00:28:41,253
♪ SAY YOU LOVE ME

1239
00:28:41,253 --> 00:28:41,921
♪ BUT YOU DON'T ♪

1240
00:28:41,921 --> 00:28:42,554
♪ WHY YOU GOT TO LIE

1241
00:28:42,554 --> 00:28:43,322
♪ LIKE THAT?

1242
00:28:43,322 --> 00:28:45,124
♪ SAY YOU WILL, BUT YOU WON'T ♪

1243
00:28:45,124 --> 00:28:46,392
♪ BUT YOU CAN'T TAKE THAT BACK ♪

1244
00:28:46,392 --> 00:28:47,159
♪ UH

1245
00:28:47,159 --> 00:28:48,795
♪ ALL THE GAMES AND THE LIES

1246
00:28:48,795 --> 00:28:49,728
♪ I DID TR--

1247
00:28:49,728 --> 00:28:50,963
BLAH, BLAH, BLAH, BLAH.

1248
00:28:50,963 --> 00:28:51,630
BLAH, BLAH, BLAH.

1249
00:28:51,630 --> 00:28:52,298
YOU STRAIGHT?

1250
00:28:52,298 --> 00:28:53,199
ONE MORE TIME.

1251
00:28:53,199 --> 00:28:54,666
I'M ABOUT AS STRESSED

1252
00:28:54,666 --> 00:28:55,968
AS STRESSED CAN BE RIGHT NOW.

1253
00:28:55,968 --> 00:28:56,735
LET'S TRY IT A COUPLE MORE

1254
00:28:56,735 --> 00:28:57,403
TIMES.

1255
00:28:57,403 --> 00:28:58,104
YOU KNOW WHAT I'M SAYING?

1256
00:28:58,104 --> 00:28:58,771
WITH A LITTLE BIT OF HIGH

1257
00:28:58,771 --> 00:28:59,438
ENERGY.

1258
00:28:59,438 --> 00:29:01,040
YEAH, LET'S TRY IT AGAIN.

1259
00:29:01,040 --> 00:29:01,707
ALL RIGHT.

1260
00:29:01,707 --> 00:29:02,574
LET'S GO.

1261
00:29:02,574 --> 00:29:04,076
* ALL RIGHT

1262
00:29:04,076 --> 00:29:04,977
♪ LISTEN

1263
00:29:04,977 --> 00:29:06,012
♪ SAY YOU LOVE ME

1264
00:29:06,012 --> 00:29:06,678
♪ BUT YOU DON'T ♪

1265
00:29:06,678 --> 00:29:07,346
♪ WHY YOU GOT TO LIE

1266
00:29:07,346 --> 00:29:08,214
♪ LIKE THAT?

1267
00:29:08,214 --> 00:29:10,016
♪ SAY YOU WILL, BUT YOU WON'T ♪

1268
00:29:10,016 --> 00:29:11,383
♪ BUT YOU CAN'T TAKE THAT BACK ♪

1269
00:29:11,383 --> 00:29:12,318
AH, I DON'T LIKE THAT.

1270
00:29:12,318 --> 00:29:13,052
I DON'T LIKE THE WAY THAT--

1271
00:29:13,052 --> 00:29:14,486
I DON'T LIKE THE WAY THAT FEEL.

1272
00:29:14,486 --> 00:29:15,154
I WANT YOU TO COME OUT

1273
00:29:15,154 --> 00:29:15,855
SO WE CAN TALK, ALL RIGHT?

1274
00:29:15,855 --> 00:29:17,756
OKAY. ALL RIGHT.

1275
00:29:17,756 --> 00:29:20,126
MY GIRL, KALENNA, SHE CAME WITH

1276
00:29:20,126 --> 00:29:20,960
THIS HOT RECORD.

1277
00:29:20,960 --> 00:29:22,361
HER HUSBAND TONY'S HELPING

1278
00:29:22,361 --> 00:29:23,162
PRODUCE,

1279
00:29:23,162 --> 00:29:24,864
AND I'M EXCITED TO REALLY GET IN

1280
00:29:24,864 --> 00:29:25,998
AND DIG INTO THIS,

1281
00:29:25,998 --> 00:29:28,200
BUT IT'S SO MUCH GOING ON

1282
00:29:28,200 --> 00:29:29,035
IN MY HEAD.

1283
00:29:29,035 --> 00:29:29,936
EVERYTHING THAT'S GOING ON WITH

1284
00:29:29,936 --> 00:29:31,470
ME AND KIRK HAS GOT MY MIND

1285
00:29:31,470 --> 00:29:32,638
IN A [bleep] UP PLACE,

1286
00:29:32,638 --> 00:29:34,040
AND I CAN'T FOCUS ON THE MUSIC

1287
00:29:34,040 --> 00:29:35,007
LIKE I NEED TO.

1288
00:29:35,007 --> 00:29:36,575
THIS NEEDS TO BE A FEEL-GOOD

1289
00:29:36,575 --> 00:29:37,243
RECORD.

1290
00:29:37,243 --> 00:29:38,644
I KNOW. I DON'T FEEL GOOD.

1291
00:29:38,644 --> 00:29:40,446
I REALLY WANT TO PUNCH YOUR ASS,

1292
00:29:40,446 --> 00:29:41,647
'CAUSE ANY MAN THAT I SEE

1293
00:29:41,647 --> 00:29:42,514
IN MY PRESENCE,

1294
00:29:42,514 --> 00:29:43,382
I JUST WANT TO BE LIKE,

1295
00:29:43,382 --> 00:29:44,050
BLAH, BLAH, BLAH, BLAH.

1296
00:29:44,050 --> 00:29:45,051
I'MA LET Y'ALL DO Y'ALL WOMAN

1297
00:29:45,051 --> 00:29:45,717
THING.

1298
00:29:45,717 --> 00:29:46,385
OKAY.

1299
00:29:46,385 --> 00:29:47,186
GET OUT OF HERE BEFORE I GET

1300
00:29:47,186 --> 00:29:47,854
BOMBED ON.

1301
00:29:47,854 --> 00:29:48,888
EXACTLY, 'CAUSE YOU KNOW

1302
00:29:48,888 --> 00:29:49,822
YOU ABOUT TWO SECONDS AWAY FROM

1303
00:29:49,822 --> 00:29:51,190
CATCHING ONE OF THESE.

1304
00:29:51,190 --> 00:29:53,025
LISTEN, I KNOW EXACTLY WHAT

1305
00:29:53,025 --> 00:29:54,260
RASHEEDA'S PROBLEM IS.

1306
00:29:54,260 --> 00:29:55,527
IT'S KIRK.

1307
00:29:55,527 --> 00:29:56,328
HE OUT HERE ACTING LIKE

1308
00:29:56,328 --> 00:29:57,496
A [bleep] CLOWN AND GOT HER

1309
00:29:57,496 --> 00:29:58,364
HEAD ALL MESSED UP,

1310
00:29:58,364 --> 00:29:59,565
BUT I'M NOT MAD.

1311
00:29:59,565 --> 00:30:00,867
ME AND TONY WENT THROUGH OUR

1312
00:30:00,867 --> 00:30:01,700
[bleep] TOO,

1313
00:30:01,700 --> 00:30:02,835
AND SHE HELPED ME GO THROUGH

1314
00:30:02,835 --> 00:30:04,270
MY [bleep] BY JUST LETTING ME

1315
00:30:04,270 --> 00:30:04,971
VENT.

1316
00:30:04,971 --> 00:30:06,705
NOW IT'S MY TURN TO DO THE SAME

1317
00:30:06,705 --> 00:30:07,373
FOR HER.

1318
00:30:07,373 --> 00:30:08,440
SO WHAT'S UP, GIRL?

1319
00:30:08,440 --> 00:30:09,508
WHAT'S GOING ON WITH YOU?

1320
00:30:09,508 --> 00:30:10,642
EVERYTHING THAT'S GOING ON

1321
00:30:10,642 --> 00:30:12,044
IN MY RELATIONSHIP IS AFFECTING

1322
00:30:12,044 --> 00:30:12,711
MY WORK ETHIC.

1323
00:30:12,711 --> 00:30:13,379
RIGHT.

1324
00:30:13,379 --> 00:30:14,113
YOU GET WHAT I'M SAYING?

1325
00:30:14,113 --> 00:30:14,780
I GOT YOU.

1326
00:30:14,780 --> 00:30:15,848
LIKE, THE OTHER DAY, WE AT

1327
00:30:15,848 --> 00:30:17,216
THE PHOTO SHOOT FOR

1328
00:30:17,216 --> 00:30:18,684
SISTER 2 SISTER MAGAZINE,

1329
00:30:18,684 --> 00:30:19,852
WHICH IS A GOOD--YOU KNOW,

1330
00:30:19,852 --> 00:30:20,686
SUPPOSED TO BE A GOOD THING.

1331
00:30:20,686 --> 00:30:21,420
THAT'S PERFECT.

1332
00:30:21,420 --> 00:30:22,688
GIRL, WE AIN'T IN THERE

1333
00:30:22,688 --> 00:30:24,190
10 MINUTES--

1334
00:30:24,190 --> 00:30:25,224
THIS FOOL GONNA HAVE THE NERVE

1335
00:30:25,224 --> 00:30:26,425
TO SAY, "THAT'S WHY WE NEEDED

1336
00:30:26,425 --> 00:30:27,459
JASMINE."

1337
00:30:27,459 --> 00:30:29,561
THEN HIM AND MY MAMA ARGUING.

1338
00:30:29,561 --> 00:30:30,729
THEY BACKING AND FORTHING.

1339
00:30:30,729 --> 00:30:31,797
SO WE ARGUING IN FRONT OF

1340
00:30:31,797 --> 00:30:33,132
EVERYBODY, AND I'M JUST LIKE,

1341
00:30:33,132 --> 00:30:34,433
"YOU KNOW,

1342
00:30:34,433 --> 00:30:36,268
I CAN'T DEAL WITH THIS [bleep],"

1343
00:30:36,268 --> 00:30:37,569
LIKE, EVERY TIME THEY IN THE

1344
00:30:37,569 --> 00:30:38,770
ROOM TOGETHER, GIRL.

1345
00:30:38,770 --> 00:30:40,272
SOMETIMES YOU GOT TO--

1346
00:30:40,272 --> 00:30:41,540
YOU GOT TO WORK [bleep] OUT BY

1347
00:30:41,540 --> 00:30:42,208
JUST HASHING IT OUT.

1348
00:30:42,208 --> 00:30:42,875
YEAH.

1349
00:30:42,875 --> 00:30:43,876
YOU KNOW WHAT I'M SAYING?

1350
00:30:43,876 --> 00:30:44,610
AND THEY GET IN THE ROOM AND

1351
00:30:44,610 --> 00:30:45,978
WILD OUT ONE GOOD MOTHER[bleep]

1352
00:30:45,978 --> 00:30:46,645
TIME--

1353
00:30:46,645 --> 00:30:47,346
YOU KNOW, THIS--LIKE,

1354
00:30:47,346 --> 00:30:48,514
PUT IT ON THE TABLE

1355
00:30:48,514 --> 00:30:49,181
AND BE DONE.

1356
00:30:49,181 --> 00:30:49,848
YEAH.

1357
00:30:49,848 --> 00:30:50,849
YOU GOT TO REMOVE YOURSELF SO

1358
00:30:50,849 --> 00:30:52,084
THEY CAN DEAL WITH EACH OTHER.

1359
00:30:52,084 --> 00:30:53,652
I'M NOT A PSYCHOLOGIST,

1360
00:30:53,652 --> 00:30:54,820
BUT I DO BELIEVE THAT RASHEEDA

1361
00:30:54,820 --> 00:30:56,288
AND KIRK NEED SOME TIME APART.

1362
00:30:56,288 --> 00:30:57,456
THEY NEED TO REMEMBER WHY THEY

1363
00:30:57,456 --> 00:30:59,959
FELL IN LOVE IN THE FIRST PLACE.

1364
00:30:59,959 --> 00:31:00,993
ALL RIGHT, WELL, HOW 'BOUT WE

1365
00:31:00,993 --> 00:31:02,628
TAKE A TRIP?

1366
00:31:02,628 --> 00:31:03,896
MATTER OF FACT, MARDI GRAS

1367
00:31:03,896 --> 00:31:04,796
IS COMING UP.

1368
00:31:04,796 --> 00:31:05,464
OOH.

1369
00:31:05,464 --> 00:31:06,198
WHY DON'T WE JUST GO TO

1370
00:31:06,198 --> 00:31:06,865
NEW ORLEANS?

1371
00:31:06,865 --> 00:31:07,533
IT'S NOT THAT FAR.

1372
00:31:07,533 --> 00:31:08,400
THAT IS THE OFFICIAL TURN UP.

1373
00:31:08,400 --> 00:31:09,201
THAT'S JUST WALKING DOWN THE

1374
00:31:09,201 --> 00:31:09,868
STREET DRUNK.

1375
00:31:09,868 --> 00:31:10,536
THAT'S RIGHT.

1376
00:31:10,536 --> 00:31:11,403
HE AIN'T GOT NO PROBLEM WITH YOU

1377
00:31:11,403 --> 00:31:12,238
GOING NOWHERE, DO HE?

1378
00:31:12,238 --> 00:31:13,339
I DON'T GIVE A DAMN.

1379
00:31:13,339 --> 00:31:14,073
HELL YEAH.

1380
00:31:14,073 --> 00:31:15,007
I MIGHT NEED TO JUST LEAVE

1381
00:31:15,007 --> 00:31:16,542
HIS ASS SO HE CAN UNDERSTAND

1382
00:31:16,542 --> 00:31:18,077
THE VALUE OF THIS.

1383
00:31:18,077 --> 00:31:18,777
THAT'S RIGHT.

1384
00:31:18,777 --> 00:31:19,445
YOU KNOW WHAT I MEAN?

1385
00:31:19,445 --> 00:31:20,512
WE GONNA GET A MARDI GRAS

1386
00:31:20,512 --> 00:31:21,280
THONG.

1387
00:31:21,280 --> 00:31:22,081
OOH, [bleep].

1388
00:31:22,081 --> 00:31:23,282
YOU KNOW WHAT?

1389
00:31:23,282 --> 00:31:24,350
LET KIRK WORRY ABOUT WHAT

1390
00:31:24,350 --> 00:31:26,752
RASHEEDA'S UP TO FOR A CHANGE.

1391
00:31:26,752 --> 00:31:27,886
[bleep].

1392
00:31:27,886 --> 00:31:28,921
KIRK BETTER BE WORRIED ABOUT

1393
00:31:28,921 --> 00:31:30,556
WHAT RASHEEDA FINNA DO.

1394
00:31:30,556 --> 00:31:31,357
LET'S GO GET SOMETHING TO EAT.

1395
00:31:31,357 --> 00:31:32,058
WE GO RIGHT NOW?

1396
00:31:32,058 --> 00:31:32,724
YES.

1397
00:31:32,724 --> 00:31:33,392
OKAY. COOL.

1398
00:31:33,392 --> 00:31:34,626
LET'S GO. LET'S DO IT.

1399
00:31:34,626 --> 00:31:35,327
OOH, CHILD.

1400
00:31:35,327 --> 00:31:36,128
THIS FOOL'S GONNA HAVE ME

1401
00:31:36,128 --> 00:31:37,196
GOING TO DAMN NEW ORLEANS.

1402
00:31:37,196 --> 00:31:38,664
I AM NOT FOOLING WITH YOU.

1403
00:31:38,664 --> 00:31:40,666
[laughs]

1404
00:31:46,438 --> 00:31:47,239
I'M GETTING READY TO MEET

1405
00:31:47,239 --> 00:31:48,474
SOMEONE HERE.

1406
00:31:48,474 --> 00:31:49,575
HOS IS RUNNING AMOK

1407
00:31:49,575 --> 00:31:50,509
IN THE PALACE.

1408
00:31:50,509 --> 00:31:51,643
GOT TO GET CONTROL.

1409
00:31:51,643 --> 00:31:52,611
AFTER I SAT DOWN AND HAD

1410
00:31:52,611 --> 00:31:54,846
A POWWOW WITH THE PINKETT

1411
00:31:54,846 --> 00:31:55,881
AND THE BAMBI,

1412
00:31:55,881 --> 00:31:57,316
THE BAMBI HITS ME UP AND SAYS

1413
00:31:57,316 --> 00:31:58,951
SHE WANTS TO TALK TO ME.

1414
00:31:58,951 --> 00:32:00,386
I'MA GIVE HER A CHANCE

1415
00:32:00,386 --> 00:32:01,587
AND HEAR WHAT SHE SAYS.

1416
00:32:01,587 --> 00:32:02,388
THIS TIME,

1417
00:32:02,388 --> 00:32:03,622
I'M NOT MEETING NOWHERE

1418
00:32:03,622 --> 00:32:04,890
WHERE I CAN END UP

1419
00:32:04,890 --> 00:32:06,158
WITH PIE ON MY FACE

1420
00:32:06,158 --> 00:32:07,626
OR ON MY CLOTHES.

1421
00:32:07,626 --> 00:32:08,594
I THINK YOUR FRIEND'S HERE,

1422
00:32:08,594 --> 00:32:10,362
MOMMA DEE.

1423
00:32:10,362 --> 00:32:12,231
AH, YOU LOOKING GOOD.

1424
00:32:12,231 --> 00:32:13,765
I'M GLAD YOU CALLED ME HERE,

1425
00:32:13,765 --> 00:32:15,001
BECAUSE WE NEED TO TALK.

1426
00:32:15,001 --> 00:32:16,068
I TOLD MOMMA DEE TO COME

1427
00:32:16,068 --> 00:32:17,069
MEET ME BECAUSE

1428
00:32:17,069 --> 00:32:18,304
WE NEED TO ESTABLISH WHERE

1429
00:32:18,304 --> 00:32:19,638
WE STAND WITH EACH OTHER.

1430
00:32:19,638 --> 00:32:21,773
ARE WE GONNA TRY TO SALVAGE

1431
00:32:21,773 --> 00:32:22,874
THE LITTLE BIT OF RELATIONSHIP

1432
00:32:22,874 --> 00:32:23,609
THAT WE HAVE?

1433
00:32:23,609 --> 00:32:24,576
I JUST NEED TO HOLLER AT HER

1434
00:32:24,576 --> 00:32:25,711
AND FIGURE OUT WHAT'S GOING

1435
00:32:25,711 --> 00:32:26,512
THROUGH HER HEAD.

1436
00:32:26,512 --> 00:32:27,679
I FEEL LIKE ME AND YOU WAS

1437
00:32:27,679 --> 00:32:28,880
GETTING SOMEWHERE.

1438
00:32:28,880 --> 00:32:30,649
AT LEAST, WE HAD ESTABLISHED

1439
00:32:30,649 --> 00:32:32,518
SOME, YOU KNOW, LEVEL OF RESPECT

1440
00:32:32,518 --> 00:32:33,319
FOR EACH OTHER.

1441
00:32:33,319 --> 00:32:34,920
I'M STILL DEALING WITH

1442
00:32:34,920 --> 00:32:36,555
THE MISCARRIAGE ISSUES,

1443
00:32:36,555 --> 00:32:37,990
AND YOU WERE THE MOM, SO I KNOW

1444
00:32:37,990 --> 00:32:39,558
YOU'RE DEALING AS WELL,

1445
00:32:39,558 --> 00:32:41,227
BUT AT THE END OF THE DAY,

1446
00:32:41,227 --> 00:32:42,061
IT GOT MESSY,

1447
00:32:42,061 --> 00:32:43,295
AND NEITHER OF YOU GUYS

1448
00:32:43,295 --> 00:32:44,096
LISTENED TO ME,

1449
00:32:44,096 --> 00:32:45,664
AND THAT'S NOT GONNA HAPPEN.

1450
00:32:45,664 --> 00:32:47,399
EVEN SCRAPPY BABY'S MAMA HAS

1451
00:32:47,399 --> 00:32:48,500
HAD TO LEARN:

1452
00:32:48,500 --> 00:32:50,769
WHEN YOU COME INTO THE PALACE,

1453
00:32:50,769 --> 00:32:52,204
THERE'S SOME RULES AND

1454
00:32:52,204 --> 00:32:52,904
REGULATIONS.

1455
00:32:52,904 --> 00:32:54,073
IT'S RULES TO THIS [bleep].

1456
00:32:54,073 --> 00:32:56,375
I JUST FEEL SUPER BETRAYED

1457
00:32:56,375 --> 00:32:57,043
RIGHT NOW.

1458
00:32:57,043 --> 00:32:58,610
I WANT TO REALLY FIGURE OUT

1459
00:32:58,610 --> 00:33:00,079
WHERE WE ARE, BECAUSE--

1460
00:33:00,079 --> 00:33:00,812
WHERE WE AT?

1461
00:33:00,812 --> 00:33:02,148
WE AT THE BEGINNING BECAUSE YOU

1462
00:33:02,148 --> 00:33:02,814
RUINED IT.

1463
00:33:02,814 --> 00:33:03,649
YOU RUINED IT.

1464
00:33:03,649 --> 00:33:05,117
YOU DID STRIKE THE FIRST BLOW.

1465
00:33:05,117 --> 00:33:06,452
SHE DIDN'T APPROACH ME

1466
00:33:06,452 --> 00:33:07,486
APPROPRIATELY.

1467
00:33:07,486 --> 00:33:09,055
SHE WAS SUPER OUT OF LINE.

1468
00:33:09,055 --> 00:33:10,289
LIKE, I'M NEVER GONNA GO UP TO

1469
00:33:10,289 --> 00:33:11,457
SOMEBODY AND BE LIKE, "OH, I'M

1470
00:33:11,457 --> 00:33:12,224
SORRY ABOUT WHAT HAPPENED."

1471
00:33:12,224 --> 00:33:13,659
I DON'T [bleep] KNOW YOU.

1472
00:33:13,659 --> 00:33:15,061
LIKE, WHO DOES THAT?

1473
00:33:15,061 --> 00:33:16,928
AND SO FOR ME TO COME, YOU KNOW,

1474
00:33:16,928 --> 00:33:19,265
AND SIT DOWN WITH HER WITH YOU,

1475
00:33:19,265 --> 00:33:20,699
LIKE, I WAS DOING THAT OUT OF

1476
00:33:20,699 --> 00:33:21,900
RESPECT FOR YOU.

1477
00:33:21,900 --> 00:33:23,302
BUT I'M SWEAR TO GOD,

1478
00:33:23,302 --> 00:33:24,203
IF YOU HAD LISTENED TO HER,

1479
00:33:24,203 --> 00:33:25,404
YOU WOULD, LIKE, "I STILL DON'T

1480
00:33:25,404 --> 00:33:27,039
LIKE YOU, BUT I DON'T--

1481
00:33:27,039 --> 00:33:27,939
YEAH, POINT TAKEN."

1482
00:33:27,939 --> 00:33:28,874
LISTEN TO HER ABOUT--

1483
00:33:28,874 --> 00:33:30,509
YOU WOULD HAVE--IF YOU HAD

1484
00:33:30,509 --> 00:33:32,010
JUST HAD A LISTEN,

1485
00:33:32,010 --> 00:33:33,479
BUT YOU SAID SOMETHING.

1486
00:33:33,479 --> 00:33:34,480
YOU STRUCK HER UP.

1487
00:33:34,480 --> 00:33:35,781
SHE LIFT UP TABLE...

1488
00:33:35,781 --> 00:33:36,815
I SAID SHE DOESN'T HAVE

1489
00:33:36,815 --> 00:33:37,549
A POSITION.

1490
00:33:37,549 --> 00:33:38,717
THEN WHEN I TRIED TO FOLLOW

1491
00:33:38,717 --> 00:33:39,851
YOU TO THE BATHROOM,

1492
00:33:39,851 --> 00:33:40,952
YOU WALKED OFF FROM ME,

1493
00:33:40,952 --> 00:33:42,321
AND I'M STILL TALKING TO YOU.

1494
00:33:42,321 --> 00:33:44,490
IF YOU EVER LISTEN TO HER--

1495
00:33:44,490 --> 00:33:45,157
LISTEN TO ME--

1496
00:33:45,157 --> 00:33:45,824
WHY DO I NEED TO LISTEN

1497
00:33:45,824 --> 00:33:46,492
TO HER, THOUGH?

1498
00:33:46,492 --> 00:33:47,293
BECAUSE, SHE WILL TELL YOU

1499
00:33:47,293 --> 00:33:48,360
SOME STUFF YOU NEED TO HEAR.

1500
00:33:48,360 --> 00:33:49,228
I DON'T NEED TO HEAR NOTHING

1501
00:33:49,228 --> 00:33:50,762
ABOUT THE GUY THAT I'M SLEEPING

1502
00:33:50,762 --> 00:33:52,698
WITH FROM SOMEBODY ELSE.

1503
00:33:52,698 --> 00:33:54,300
I WANTED BAMBI TO GET THE

1504
00:33:54,300 --> 00:33:55,701
OPPORTUNITY TO LISTEN TO

1505
00:33:55,701 --> 00:33:56,768
ERICA PINKETT

1506
00:33:56,768 --> 00:33:58,404
SO WE CAN CLEAR EVERYTHING UP,

1507
00:33:58,404 --> 00:33:59,538
BUT INSTEAD,

1508
00:33:59,538 --> 00:34:01,173
ALL HELL BROKE LOOSE.

1509
00:34:01,173 --> 00:34:02,708
SHE'S SCRAPPY'S FRIEND.

1510
00:34:02,708 --> 00:34:03,509
HE CAN HAVE AS MANY FRIENDS

1511
00:34:03,509 --> 00:34:04,176
AS HE WANTS.

1512
00:34:04,176 --> 00:34:04,876
OKAY, BUT YOU CAN'T BE

1513
00:34:04,876 --> 00:34:05,577
JEALOUS.

1514
00:34:05,577 --> 00:34:06,578
YOU CAN'T LET YOUR EMOTIONS

1515
00:34:06,578 --> 00:34:07,279
FLOW.

1516
00:34:07,279 --> 00:34:08,247
SHE DON'T NEED TO TALK TO ME,

1517
00:34:08,247 --> 00:34:08,947
THOUGH.

1518
00:34:08,947 --> 00:34:09,748
WE'RE NOT EVEN NOWHERE CLOSE

1519
00:34:09,748 --> 00:34:10,649
TO THAT.

1520
00:34:10,649 --> 00:34:13,085
THAT'S WHY YOU FALL SHORT.

1521
00:34:13,085 --> 00:34:15,587
WE ALL FALL SHORT.

1522
00:34:15,587 --> 00:34:17,323
THE BAMBI NEED TO CLEAR HER

1523
00:34:17,323 --> 00:34:19,491
NAME AND UNDERSTAND THAT THE

1524
00:34:19,491 --> 00:34:20,992
PRINCE, LITTLE SCRAPPY,

1525
00:34:20,992 --> 00:34:23,129
IS SCRAMBLING UP SOME OMELETS,

1526
00:34:23,129 --> 00:34:24,363
BUT INSTEAD,

1527
00:34:24,363 --> 00:34:25,864
I THINK BAMBI HAS TOO MANY

1528
00:34:25,864 --> 00:34:27,466
SKELETONS IN HER CLOSET.

1529
00:34:27,466 --> 00:34:28,634
I THINK IT'S TIME

1530
00:34:28,634 --> 00:34:29,668
FOR A BEHEADING.

1531
00:34:29,668 --> 00:34:32,838
OFF WITH THAT BITCH'S HEAD.

1532
00:34:32,838 --> 00:34:33,672
I DON'T KNOW HER.

1533
00:34:33,672 --> 00:34:34,706
I DON'T WANT TO GET TO KNOW HER.

1534
00:34:34,706 --> 00:34:35,841
HE CAN DO WHAT HE GOT TO DO

1535
00:34:35,841 --> 00:34:36,508
WITH HER.

1536
00:34:36,508 --> 00:34:37,376
AT THIS POINT, LIKE,

1537
00:34:37,376 --> 00:34:38,777
ME AND HIM AIN'T EVEN THERE.

1538
00:34:38,777 --> 00:34:39,811
LIKE, I DON'T NEED NO [bleep]

1539
00:34:39,811 --> 00:34:40,779
PUT ME IN NO POSITIONS LIKE

1540
00:34:40,779 --> 00:34:41,513
THIS.

1541
00:34:41,513 --> 00:34:42,781
I FEEL LIKE BOTH OF Y'ALL ARE

1542
00:34:42,781 --> 00:34:43,749
BRINGING UNNECESSARY DRAMA

1543
00:34:43,749 --> 00:34:44,416
INTO MY LIFE.

1544
00:34:44,416 --> 00:34:45,217
I DON'T DO THIS.

1545
00:34:45,217 --> 00:34:47,386
MOMMA DEE IS A PROBLEM STARTER.

1546
00:34:47,386 --> 00:34:49,555
SHE THRIVES OFF OF DRAMA.

1547
00:34:49,555 --> 00:34:50,822
SHE'S JUST ALL UP IN HER SON'S

1548
00:34:50,822 --> 00:34:51,490
BUSINESS.

1549
00:34:51,490 --> 00:34:53,024
I'M LIKE, "WHY ARE YOU SO

1550
00:34:53,024 --> 00:34:54,893
HELL-BENT ON CREATING PROBLEMS

1551
00:34:54,893 --> 00:34:55,994
IN HIS LIFE?"

1552
00:34:55,994 --> 00:34:57,062
I GUESS IT'S BECAUSE SHE DOESN'T

1553
00:34:57,062 --> 00:34:58,197
HAVE A LIFE OF HER OWN.

1554
00:34:58,197 --> 00:34:59,398
IT'S LIKE I--IF I WANT TO FIGHT

1555
00:34:59,398 --> 00:35:00,065
BITCHES, I'LL GO BACK

1556
00:35:00,065 --> 00:35:00,799
TO COMPTON.

1557
00:35:00,799 --> 00:35:03,369
SO SHALL IT BE WRITTEN.

1558
00:35:03,369 --> 00:35:05,137
I AM SO DONE WITH ALL THIS.

1559
00:35:05,137 --> 00:35:07,005
SCRAP WANTS TO BE A MAMA'S BOY.

1560
00:35:07,005 --> 00:35:08,840
SO HE CAN JUST GO HOME TO HIS

1561
00:35:08,840 --> 00:35:10,476
MAMA, AND THEY CAN WORK ON

1562
00:35:10,476 --> 00:35:12,611
THEIR RELATIONSHIP.

1563
00:35:12,611 --> 00:35:13,612
OOH.

1564
00:35:13,612 --> 00:35:15,947
CATTY BITCHES.

1565
00:35:15,947 --> 00:35:17,349
[growls]

1566
00:35:17,349 --> 00:35:18,817
IF I INVITE YOU INTO MY HOME,

1567
00:35:18,817 --> 00:35:19,985
FIRST OF ALL, I'M GENUINE.

1568
00:35:19,985 --> 00:35:21,119
MY HOMEGIRL THAT I HANG OUT

1569
00:35:21,119 --> 00:35:22,888
WITH, I NEVER WILL MAKE THEM

1570
00:35:22,888 --> 00:35:24,190
FEEL UNCOMFORTABLE IN MY HOME.

1571
00:35:24,190 --> 00:35:25,023
BUT HOW DID I MAKE YOU FEEL

1572
00:35:25,023 --> 00:35:25,691
UNCOMFORTABLE?

1573
00:35:25,691 --> 00:35:26,758
WHAT DID I SAY SO BAD TO YOU--

1574
00:35:26,758 --> 00:35:28,760
I'MA TELL YOU WHAT YOU SAID.

1575
00:35:38,537 --> 00:35:39,738
THANK YOU.

1576
00:35:39,738 --> 00:35:41,307
LAST TIME I MET WITH JOSELINE,

1577
00:35:41,307 --> 00:35:42,441
SHE SAID A COUPLE THINGS THAT

1578
00:35:42,441 --> 00:35:43,675
RUBBED ME THE WRONG WAY.

1579
00:35:43,675 --> 00:35:45,544
SO I NEED TO MEET WITH HER,

1580
00:35:45,544 --> 00:35:46,345
'CAUSE I GOT A COUPLE THINGS

1581
00:35:46,345 --> 00:35:48,347
I WANT TO GET OFF MY CHEST.

1582
00:35:50,682 --> 00:35:51,650
HEY, TAMMY.

1583
00:35:51,650 --> 00:35:52,618
HEY, LOVE. HOW ARE YOU?

1584
00:35:52,618 --> 00:35:53,419
WHAT'S GOING ON?

1585
00:35:53,419 --> 00:35:54,253
I'M ALL RIGHT.

1586
00:35:54,253 --> 00:35:55,020
CAN'T COMPLAIN.

1587
00:35:55,020 --> 00:35:55,954
THIS BITCH TAMMY THINKS

1588
00:35:55,954 --> 00:35:57,289
I'M HERE TO CHITCHAT.

1589
00:35:57,289 --> 00:35:58,557
WHAT SHE DOESN'T KNOW

1590
00:35:58,557 --> 00:35:59,825
IS THAT I'M HERE TO CHECK HER

1591
00:35:59,825 --> 00:36:01,159
ON SPREADING MY BUSINESS

1592
00:36:01,159 --> 00:36:01,927
IN THE STREETS,

1593
00:36:01,927 --> 00:36:02,661
'CAUSE WHERE I'M FROM,

1594
00:36:02,661 --> 00:36:03,862
I DON'T OPERATE LIKE THAT.

1595
00:36:03,862 --> 00:36:05,096
THAT'LL GET YOU CUT.

1596
00:36:05,096 --> 00:36:06,598
HOW DID YOUR SHOOT TURN OUT?

1597
00:36:06,598 --> 00:36:07,866
WELL, BEFORE WE TALK ABOUT

1598
00:36:07,866 --> 00:36:11,036
THAT, I REALLY DON'T UNDERSTAND

1599
00:36:11,036 --> 00:36:12,037
WHAT'S GOING ON WITH US,

1600
00:36:12,037 --> 00:36:13,405
BECAUSE I OPENED UP THE DOORS

1601
00:36:13,405 --> 00:36:15,173
TO MY HOME TO LET YOU IN

1602
00:36:15,173 --> 00:36:16,475
WHERE WE COULD BE FRIENDS,

1603
00:36:16,475 --> 00:36:18,210
AND THEN I'M AROUND TOWN,

1604
00:36:18,210 --> 00:36:20,011
AND I HEAR THAT YOU WERE GOING

1605
00:36:20,011 --> 00:36:21,980
BACK TELLING MIMI ABOUT ME DOING

1606
00:36:21,980 --> 00:36:23,148
THIS MAGAZINE ISSUE.

1607
00:36:23,148 --> 00:36:24,049
FIRST OF ALL, THAT'S MY,

1608
00:36:24,049 --> 00:36:25,717
YOU KNOW, DUDE'S BABY MOTHER.

1609
00:36:25,717 --> 00:36:27,118
I DON'T SEE WHERE HER AND I

1610
00:36:27,118 --> 00:36:27,819
GO TOGETHER.

1611
00:36:27,819 --> 00:36:28,587
OKAY, WELL, I WAS TALKING

1612
00:36:28,587 --> 00:36:30,021
TO MY FRIEND RASHEEDA

1613
00:36:30,021 --> 00:36:31,390
ABOUT EVERYTHING THAT WENT ON,

1614
00:36:31,390 --> 00:36:33,359
AND HER FRIEND MIMI WAS THERE,

1615
00:36:33,359 --> 00:36:34,125
BUT SHE WAS THERE WHEN WE WAS

1616
00:36:34,125 --> 00:36:34,893
HAVING A CONVERSATION

1617
00:36:34,893 --> 00:36:36,127
ABOUT HOW I FELT ABOUT

1618
00:36:36,127 --> 00:36:37,929
YOU INVITING ME TO YOUR HOME,

1619
00:36:37,929 --> 00:36:38,730
AND I FEEL LIKE YOU WAS KIND OF

1620
00:36:38,730 --> 00:36:39,698
TAKING SHOTS AT ME--

1621
00:36:39,698 --> 00:36:40,366
TAKING SHOTS?

1622
00:36:40,366 --> 00:36:41,166
WHY WOULD I TAKE SHOTS AT YOU?

1623
00:36:41,166 --> 00:36:42,033
AND THAT'S WHAT I'M TRYING--

1624
00:36:42,033 --> 00:36:42,701
I JUST MET YOU.

1625
00:36:42,701 --> 00:36:43,602
AND THAT'S WHAT I'M TRYING TO

1626
00:36:43,602 --> 00:36:44,270
FIGURE OUT.

1627
00:36:44,270 --> 00:36:45,136
AND SEE, THAT'S WHY I DON'T

1628
00:36:45,136 --> 00:36:46,004
HANG WITH BITCHES, 'CAUSE THEY

1629
00:36:46,004 --> 00:36:46,772
CAN'T TAKE MY PERSONALITY.

1630
00:36:46,772 --> 00:36:47,439
WHAT DID I SAY?

1631
00:36:47,439 --> 00:36:48,274
YOU SAID SOMETHING A LITTLE

1632
00:36:48,274 --> 00:36:49,107
SLICK ON THE LINES OF, MAYBE--

1633
00:36:49,107 --> 00:36:49,775
NO, I DID NOT.

1634
00:36:49,775 --> 00:36:50,442
WHAT DID I SAY?

1635
00:36:50,442 --> 00:36:51,109
TELL ME WHAT I SAID.

1636
00:36:51,109 --> 00:36:51,810
WELL, MAYBE YOU DON'T

1637
00:36:51,810 --> 00:36:52,511
REMEMBER WHAT YOU SAID--

1638
00:36:52,511 --> 00:36:53,312
NO, I REMEMBER EVERYTHING

1639
00:36:53,312 --> 00:36:53,979
I SAY...

1640
00:36:53,979 --> 00:36:54,780
OH, OKAY, WELL, YOU SAID--

1641
00:36:54,780 --> 00:36:55,447
ALL THE TIME.

1642
00:36:55,447 --> 00:36:56,882
ALL I REMEMBER ME WAS BEING

1643
00:36:56,882 --> 00:36:57,816
NOTHING BUT NICE TO YOU.

1644
00:36:57,816 --> 00:36:58,850
NICE?

1645
00:36:58,850 --> 00:36:59,751
AFTER ALL THE SHADE SHE WAS

1646
00:36:59,751 --> 00:37:00,486
THROWING?

1647
00:37:00,486 --> 00:37:02,087
I ASKED JOSELINE HERE WITH GOOD

1648
00:37:02,087 --> 00:37:02,788
INTENTIONS.

1649
00:37:02,788 --> 00:37:04,055
NOW YOU COMING OUT YOUR MOUTH

1650
00:37:04,055 --> 00:37:04,956
SIDEWAYS.

1651
00:37:04,956 --> 00:37:06,392
JOSELINE DON'T KNOW ME,

1652
00:37:06,392 --> 00:37:07,459
AND I DON'T KNOW HER,

1653
00:37:07,459 --> 00:37:08,760
BUT SHE 'BOUT TO GET TO KNOW ME.

1654
00:37:08,760 --> 00:37:10,262
IF I INVITE YOU INTO MY HOME,

1655
00:37:10,262 --> 00:37:11,330
FIRST OF ALL, I'M GENUINE.

1656
00:37:11,330 --> 00:37:12,664
MY HOMEGIRL THAT I HANG OUT

1657
00:37:12,664 --> 00:37:14,232
WITH, I NEVER WILL MAKE THEM

1658
00:37:14,232 --> 00:37:15,667
FEEL UNCOMFORTABLE IN MY HOME.

1659
00:37:15,667 --> 00:37:16,435
BUT HOW DID I MAKE YOU FEEL

1660
00:37:16,435 --> 00:37:17,102
UNCOMFORTABLE?

1661
00:37:17,102 --> 00:37:18,136
WHAT DID I SAY SO BAD TO YOU?

1662
00:37:18,136 --> 00:37:19,371
I'MA TELL YOU WHAT YOU SAID.

1663
00:37:19,371 --> 00:37:21,340
"THIS IS HOW I GOT MARRIED IN

1664
00:37:21,340 --> 00:37:22,341
TWO YEARS AND TWO WEEKS.

1665
00:37:22,341 --> 00:37:23,475
MAYBE I COULD TEACH YOU SOME

1666
00:37:23,475 --> 00:37:24,376
THINGS SO YOU COULD HAVE A RING

1667
00:37:24,376 --> 00:37:25,210
ON YOUR FINGER INSTEAD OF THAT

1668
00:37:25,210 --> 00:37:25,877
TATTOO."

1669
00:37:25,877 --> 00:37:26,645
BUT YOU ALREADY ENGAGED,

1670
00:37:26,645 --> 00:37:27,313
THOUGH.

1671
00:37:27,313 --> 00:37:28,179
THAT'S WHAT YOU TOLD ME.

1672
00:37:28,179 --> 00:37:28,847
YEAH, I AM ENGAGED.

1673
00:37:28,847 --> 00:37:29,681
OKAY, SO MY WHOLE THING IS--

1674
00:37:29,681 --> 00:37:31,082
BUT THAT WAS UN--WHAT I'M

1675
00:37:31,082 --> 00:37:31,950
SAYING IS I DON'T KNOW YOU,

1676
00:37:31,950 --> 00:37:33,018
BABY; YOU DON'T KNOW ME--

1677
00:37:33,018 --> 00:37:33,785
SO IF YOU FELT SOME TYPE OF

1678
00:37:33,785 --> 00:37:34,853
WAY THEN, WHY DIDN'T YOU TELL

1679
00:37:34,853 --> 00:37:36,322
ME, "YOU KNOW WHAT, JOSELINE?"

1680
00:37:36,322 --> 00:37:37,356
I HAD TO GET HOME AND

1681
00:37:37,356 --> 00:37:38,924
MARINATE ON IT, SWEETIE.

1682
00:37:38,924 --> 00:37:39,658
IT NEVER CLICKED UNTIL I GOT

1683
00:37:39,658 --> 00:37:40,326
HOME.

1684
00:37:40,326 --> 00:37:41,092
WELL, MY BRAIN WORKS LIKE

1685
00:37:41,092 --> 00:37:42,227
THIS, AND IF SOMEBODY TELL ME--

1686
00:37:42,227 --> 00:37:43,228
WE'RE TWO DIFFERENT PEOPLE.

1687
00:37:43,228 --> 00:37:44,062
AND SOMEBODY CAN SEE YOU'RE

1688
00:37:44,062 --> 00:37:44,863
A DIFFERENT PERSON, AND NOW,

1689
00:37:44,863 --> 00:37:45,564
SEE, YOU GOT TO GO HOME AND

1690
00:37:45,564 --> 00:37:46,432
THINK ON [bleep] AND THEN TALK

1691
00:37:46,432 --> 00:37:47,165
TO YOUR FRIENDS AND THEN

1692
00:37:47,165 --> 00:37:48,066
COME BACK AND GET AT ME.

1693
00:37:48,066 --> 00:37:49,067
FIRST OF ALL, I GIVE PEOPLE

1694
00:37:49,067 --> 00:37:49,968
THE BENEFIT OF THE DOUBT,

1695
00:37:49,968 --> 00:37:52,003
MEANING IF I FEEL SOME TYPE OF

1696
00:37:52,003 --> 00:37:53,805
WAY, MAYBE I WAS WRONG.

1697
00:37:53,805 --> 00:37:54,873
SO LET ME HOLLER AT MY FRIEND

1698
00:37:54,873 --> 00:37:56,274
AND SEE IF I WAS TAKING [bleep]

1699
00:37:56,274 --> 00:37:57,108
OUT OF PROPORTION.

1700
00:37:57,108 --> 00:37:58,310
EXACTLY WHAT I WAS--EXACTLY

1701
00:37:58,310 --> 00:37:58,977
WHAT I JUST SAID.

1702
00:37:58,977 --> 00:37:59,845
YOU GOT TO GO TALK TO YOUR

1703
00:37:59,845 --> 00:38:00,579
LITTLE GIRLFRIENDS--

1704
00:38:00,579 --> 00:38:01,246
NO, NO, NO.

1705
00:38:01,246 --> 00:38:02,180
I DON'T HAVE LITTLE GIRLFRIENDS.

1706
00:38:02,180 --> 00:38:02,848
WE'RE ALL GROWN WOMEN.

1707
00:38:02,848 --> 00:38:03,749
YOU UNDERSTAND WHAT I'M SAYING?

1708
00:38:03,749 --> 00:38:04,483
I DON'T NEED NO FRIENDS.

1709
00:38:04,483 --> 00:38:05,150
I'M COOL.

1710
00:38:05,150 --> 00:38:06,318
AND I DON'T EITHER.

1711
00:38:06,318 --> 00:38:07,018
NO, TRUST ME, I DON'T.

1712
00:38:07,018 --> 00:38:08,320
AND I SEE YOU DON'T, AND I

1713
00:38:08,320 --> 00:38:09,087
SEE HOW YOU LIKE TO STRADDLE

1714
00:38:09,087 --> 00:38:09,755
THE FENCES.

1715
00:38:09,755 --> 00:38:10,622
BUT I DON'T STRADDLE FENCES.

1716
00:38:10,622 --> 00:38:11,523
OH, YOU STRADDLE FENCES...

1717
00:38:11,523 --> 00:38:12,391
NO, I DON'T.

1718
00:38:12,391 --> 00:38:13,191
'CAUSE YOU CAME TO MY HOUSE,

1719
00:38:13,191 --> 00:38:13,992
YOU FELT SOME TYPE OF WAY,

1720
00:38:13,992 --> 00:38:14,660
BUT YOU DIDN'T TELL ME

1721
00:38:14,660 --> 00:38:15,327
NOTHING ABOUT IT.

1722
00:38:15,327 --> 00:38:15,994
I HAVEN'T TALKED

1723
00:38:15,994 --> 00:38:16,662
TO YOU SINCE.

1724
00:38:16,662 --> 00:38:17,429
YOU WENT BEHIND MY BACK--

1725
00:38:17,429 --> 00:38:18,163
I HAVEN'T TALKED TO YOU

1726
00:38:18,163 --> 00:38:18,830
SINCE.

1727
00:38:18,830 --> 00:38:19,965
MY WHOLE THING IS, I REALLY

1728
00:38:19,965 --> 00:38:20,832
DON'T GIVE A [bleep] AT THE END

1729
00:38:20,832 --> 00:38:21,733
OF THE DAY, 'CAUSE I DON'T NEED

1730
00:38:21,733 --> 00:38:22,568
TO BE FRIENDS WITH NOBODY.

1731
00:38:22,568 --> 00:38:23,469
AND THAT'S EXACTLY--AND

1732
00:38:23,469 --> 00:38:24,403
THAT'S WHY I WASN'T PRESSED TO

1733
00:38:24,403 --> 00:38:25,337
TELL YOU, 'CAUSE I COULD GIVE

1734
00:38:25,337 --> 00:38:26,438
A [bleep] EITHER.

1735
00:38:26,438 --> 00:38:27,639
SO IT WAS NO POINT--

1736
00:38:27,639 --> 00:38:28,507
GREAT TO HAVE A CONVERSATION

1737
00:38:28,507 --> 00:38:30,108
WITH YOU, AND LEARN HOW TO STOP

1738
00:38:30,108 --> 00:38:31,142
STRADDLING THE FENCE.

1739
00:38:31,142 --> 00:38:31,810
IT'S NOT GOOD FOR YOU.

1740
00:38:31,810 --> 00:38:33,044
IT'S NOT GOOD IN THE STREETS,

1741
00:38:33,044 --> 00:38:33,712
HONEY.

1742
00:38:33,712 --> 00:38:35,180
FOR PROSTITUTES MAYBE.

1743
00:38:35,180 --> 00:38:35,981
GET WITH THE WINNING TEAM,

1744
00:38:35,981 --> 00:38:36,648
HO.

1745
00:38:36,648 --> 00:38:37,849
GET WITH THE WINNING TEAM, HO,

1746
00:38:37,849 --> 00:38:38,517
YOU BROKE HO.

1747
00:38:38,517 --> 00:38:39,250
YOU WENT FROM A STRIPPER

1748
00:38:39,250 --> 00:38:39,985
TO A PROSTITUTE TO A HO.

1749
00:38:39,985 --> 00:38:40,752
BYE, BROKE HO.

1750
00:38:40,752 --> 00:38:41,420
BROKE BITCH, I CAN--

1751
00:38:41,420 --> 00:38:42,087
CHILD, PLEASE.

1752
00:38:42,087 --> 00:38:42,821
THE [bleep] YOU TALKING

1753
00:38:42,821 --> 00:38:43,522
ABOUT?

1754
00:38:43,522 --> 00:38:44,823
TAMMY PULLED UP; SHE BEEN HAD

1755
00:38:44,823 --> 00:38:45,757
HER OWN [bleep].

1756
00:38:45,757 --> 00:38:46,892
LAST YEAR, YOU WAS A PROSTITUTE

1757
00:38:46,892 --> 00:38:48,159
AND A STRIPPER.

1758
00:38:48,159 --> 00:38:50,195
HUMBLE YOURSELF, BABY.

1759
00:38:50,195 --> 00:38:51,096
BE REAL WITH YOURSELF.

1760
00:38:51,096 --> 00:38:52,364
BE REAL WITH OTHERS.

1761
00:38:52,364 --> 00:38:53,565
YOU'RE NOT THAT BITCH.

1762
00:38:53,565 --> 00:38:54,633
YOU AIN'T WALKING LIKE THAT.

1763
00:38:54,633 --> 00:38:55,534
YOU AIN'T TALKING LIKE THAT.

1764
00:38:55,534 --> 00:38:56,968
AND YOU AIN'T LIVING LIKE THAT.

1765
00:38:56,968 --> 00:38:58,804
YOU CAME OFF THE STAGE,

1766
00:38:58,804 --> 00:39:00,038
OFF THE [bleep] POLE,

1767
00:39:00,038 --> 00:39:01,673
YOU [bleep] STRIPPER!

1768
00:39:01,673 --> 00:39:03,041
EVERYTHING YOU HAVE IS RENTED,

1769
00:39:03,041 --> 00:39:03,742
BITCH!

1770
00:39:03,742 --> 00:39:04,876
MY [bleep] OWN EVERYTHING

1771
00:39:04,876 --> 00:39:06,412
HE GOT, HO!

1772
00:39:06,412 --> 00:39:08,380
WITH THAT WEAK-ASS [bleep]

1773
00:39:08,380 --> 00:39:09,881
YOU DRIVE.

1774
00:39:09,881 --> 00:39:10,782
LOOK AT THAT [bleep] CHEAP-ASS

1775
00:39:10,782 --> 00:39:12,784
CAR.

1776
00:39:15,754 --> 00:39:16,588
NEXT TIME ON

1777
00:39:16,588 --> 00:39:18,156
LOVE and HIP HOP: ATLANTA...

1778
00:39:18,156 --> 00:39:21,427
[all cheering]

1779
00:39:21,427 --> 00:39:22,160
YOU KNOW WHAT?

1780
00:39:22,160 --> 00:39:23,495
SHE'S THE ONE.

1781
00:39:23,495 --> 00:39:24,630
I'M THINKING ABOUT GIVING HER

1782
00:39:24,630 --> 00:39:25,731
A RING IN A COUPLE OF WEEKS.

1783
00:39:25,731 --> 00:39:26,632
YOU DON'T THINK YOU'RE MOVING

1784
00:39:26,632 --> 00:39:27,298
FAST?

1785
00:39:27,298 --> 00:39:28,634
I'M NOT MOVING FAST ENOUGH.

1786
00:39:28,634 --> 00:39:29,835
NOT EVEN FEELING THIS PARTY,

1787
00:39:29,835 --> 00:39:30,502
AND YOU KNOW WHY.

1788
00:39:30,502 --> 00:39:31,336
WHY?

1789
00:39:31,336 --> 00:39:32,137
I JUST WANT TO HAVE A GOOD TIME

1790
00:39:32,137 --> 00:39:32,838
TONIGHT.

1791
00:39:32,838 --> 00:39:34,339
NIKKO FREAK-O.

1792
00:39:34,339 --> 00:39:35,006
YOU KNOW, I KNOW THAT YOU

1793
00:39:35,006 --> 00:39:35,907
AND HIM USED TO MESS AROUND.

1794
00:39:35,907 --> 00:39:36,708
I'M NOT WITH IT.

1795
00:39:36,708 --> 00:39:37,375
HE MEANS NOTHING.

1796
00:39:37,375 --> 00:39:38,076
HE DOESN'T GIVE A [bleep]

1797
00:39:38,076 --> 00:39:38,744
ABOUT ME.

1798
00:39:38,744 --> 00:39:39,578
BUT I DON'T WANT TO BE AROUND

1799
00:39:39,578 --> 00:39:40,245
HIM, THOUGH.

1800
00:39:40,245 --> 00:39:41,079
WE'RE NOT GOING TO THAT PARTY.

1801
00:39:41,079 --> 00:39:42,614
SO I GOT TO WASTE A OUTFIT?

1802
00:39:42,614 --> 00:39:44,215
ALTHEA, SHE'S A SINGER OR

1803
00:39:44,215 --> 00:39:44,983
SOMETHING LIKE THAT.

1804
00:39:44,983 --> 00:39:45,851
YEAH, YEAH, I KNOW ALTHEA.

1805
00:39:45,851 --> 00:39:46,985
THAT'S MY LEFTOVERS.

1806
00:39:46,985 --> 00:39:48,420
SHE DONE WENT FROM ME

1807
00:39:48,420 --> 00:39:49,387
TO STEVIE--

1808
00:39:49,387 --> 00:39:50,956
WHOA, WHOA, WHOA, WHOA!

1809
00:39:50,956 --> 00:39:52,023
SHE LOVIN' THE CREW?

1810
00:39:52,023 --> 00:39:53,091
SHE MAKIN' HER ROUNDS.

1811
00:39:53,091 --> 00:39:54,059
[hip-hop music]

1812
00:39:54,059 --> 00:39:57,663
♪

1813
00:39:57,663 --> 00:39:59,030
DID YOU TELL SOMEBODY THAT

1814
00:39:59,030 --> 00:39:59,798
YOU WAS MISSING A [bleep] OR

1815
00:39:59,798 --> 00:40:00,532
SOMETHING LIKE THAT?

1816
00:40:00,532 --> 00:40:01,199
I DON'T GOT TO MISS

1817
00:40:01,199 --> 00:40:01,900
THE [bleep].

1818
00:40:01,900 --> 00:40:02,868
THE [bleep] MISSES ME.

1819
00:40:02,868 --> 00:40:04,302
IT'S A WRAP. IT'S OVER.

1820
00:40:04,302 --> 00:40:05,070
LET THAT BITCH KNOW

1821
00:40:05,070 --> 00:40:06,137
THAT I'M CRAZY.

1822
00:40:06,137 --> 00:40:07,405
I'M NOT SCARED!

1823
00:40:07,405 --> 00:40:09,608
OH!

1824
00:40:09,608 --> 00:40:10,542
SECURITY!

1825
00:40:10,542 --> 00:40:11,777
ESCORT THAT BITCH

1826
00:40:11,777 --> 00:40:12,944
OUT OF MY CLUB!

1827
00:40:12,944 --> 00:40:14,012
WHO YOU CALLING A BITCH,

1828
00:40:14,012 --> 00:40:14,680
BENZINO?

1829
00:40:14,680 --> 00:40:16,414
SHUT UP, BITCH!

1830
00:40:16,414 --> 00:40:17,483
YOU A GOOD SPOON.

1831
00:40:17,483 --> 00:40:18,584
YOU A GOOD GIRL,

1832
00:40:18,584 --> 00:40:21,687
BUT YOU JUST COMPLAIN TOO MUCH.

1833
00:40:21,687 --> 00:40:22,788
I'M DONE WITH ALL THIS

1834
00:40:22,788 --> 00:40:23,455
[bleep].

1835
00:40:23,455 --> 00:40:24,790
GO AND DON'T MOTHER[bleep]

1836
00:40:24,790 --> 00:40:26,625
COME BACK, PERIOD.

1837
00:40:26,625 --> 00:40:27,759
I'VE BEEN SEEING A LOT OF

1838
00:40:27,759 --> 00:40:29,461
THINGS IN YOUR PHONE LATELY.

1839
00:40:29,461 --> 00:40:32,297
TITTIES, ASSES, [bleep].

1840
00:40:32,297 --> 00:40:34,866
SO HOW COULD I BE TALKING ABOUT

1841
00:40:34,866 --> 00:40:36,735
ANOTHER WEDDING WHEN THE WEDDING

1842
00:40:36,735 --> 00:40:38,169
THAT I HAVE NOW, I REALLY DON'T

1843
00:40:38,169 --> 00:40:38,970
EVEN WANT IT.

1844
00:40:38,970 --> 00:40:40,005
LIKE, STRAIGHT UP.

1845
00:40:40,005 --> 00:40:40,806
I THINK I'MA LOOK FOR MY OWN

1846
00:40:40,806 --> 00:40:41,507
SPOT.

1847
00:40:41,507 --> 00:40:42,608
OH, WHATEVER.

1848
00:40:42,608 --> 00:40:43,709
CRYBABY.

1849
00:40:43,709 --> 00:40:45,110
SUCK YOUR MAMA TITTY.

1850
00:40:45,110 --> 00:40:47,112
CRYBABY, CRYBABY.

1851
00:41:02,427 --> 00:41:03,394
Y'ALL MADE ME FEEL LIKE

1852
00:41:03,394 --> 00:41:05,396
SCRAPPY GOT A GLASS [bleep]

1853
00:41:05,396 --> 00:41:06,598
WITH A DIAMOND ON THE END.

1854
00:41:06,598 --> 00:41:08,567
AND I AIN'T DENYING YOU,

1855
00:41:08,567 --> 00:41:09,735
SO CLEARLY...

1856
00:41:09,735 --> 00:41:11,603
LIKE, WHAT Y'ALL BITCHES DID

1857
00:41:11,603 --> 00:41:12,270
TO ME.

1858
00:41:12,270 --> 00:41:13,805
I'M [bleep] PAINTED WITH FOOD.

1859
00:41:13,805 --> 00:41:14,640
I DON'T UNDERSTAND, LIKE--

1860
00:41:14,640 --> 00:41:16,341
LIKE, I TASTE THE FOOD, AND

1861
00:41:16,341 --> 00:41:17,408
IF THE FOOD'S GOOD,

1862
00:41:17,408 --> 00:41:18,143
I GIVE IT UP TO THEM,

1863
00:41:18,143 --> 00:41:20,045
BUT DO I HAVE TO WEAR THE FOOD?

1864
00:41:20,045 --> 00:41:20,712
OH, GOD.

1865
00:41:20,712 --> 00:41:21,379
NO, BUT YOU STILL LOOK

1866
00:41:21,379 --> 00:41:22,247
BEAUTIFUL, MOMMA.

1867
00:41:22,247 --> 00:41:22,914
THANK YOU.

1868
00:41:22,914 --> 00:41:23,582
A PLAYER LIKE ME

1869
00:41:23,582 --> 00:41:24,415
RETIRE THE GAME,

1870
00:41:24,415 --> 00:41:25,383
WE GOT A MOTHER[bleep] GODDAMN

1871
00:41:25,383 --> 00:41:26,718
STATUE OF LIBERTY.

1872
00:41:26,718 --> 00:41:27,786
GOT A STATUE OF LIBERTY

1873
00:41:27,786 --> 00:41:28,453
IN THIS MOTHER[bleep].

1874
00:41:28,453 --> 00:41:29,287
THAT'S WHY THEY MAD, MOMMA.

1875
00:41:29,287 --> 00:41:31,289
THAT'S WHY THEY MAD.